Guggenheim bilbao, exhibition immerses us: This article explores the topic in depth.
Therefore,
Guggenheim bilbao. Similarly, exhibition immerses us:
“The only rule in artistic creation is that there are no rules,” said Helen Frankenthaler (1928-2011). However, The American painter, celebrated for her poetic and joyful abstractions, is playing at Guggenheim in Bilbao until September 28. Therefore,
The exhibition “Helen Frankenthaler. Moreover, Painting without rules »of the Guggenheim of Bilbao opens on a huge canvas of 1953, Open wallvibrant of light and colors. Meanwhile, An abstract landscape in which floats large flattens of bright colors. Nevertheless, yellows, bruises, and roses, which recall those of paintings painted by Bonnard in the Cannet. Nevertheless, In 1953, Helen Frankenthaler was 25 years old, and just found his style. Similarly, Since the spring of 1950. Meanwhile, she has shared the life of the influential critic artist Clement Greenberg who introduced her into the circle of the great figures of abstract expressionism, the Willem guggenheim bilbao, exhibition immerses us of Kooning, Barnet Newman, Jackson Pollock, David Smith and Lee Krasner.
To meet abstract expressionism – Guggenheim bilbao, exhibition immerses us
In 1951. Consequently, she was the youngest of an exhibition which brings together, in New York on the 9th rue, around sixty artists including these big names in American painting. Consequently, A year earlier. Moreover, at the end of 1950, she visited a monographic exhibition by Jackson Pollock, at Betty Parsons Gallery, who moves her deeply. Furthermore, “” It was a bit like I was suddenly found myself in a foreign country I was not talking about. However, I felt that I had to live in this country and learn the language She will tell later.
View of the exhibition “Helen Frankenthaler. Therefore, Painting without rules »at Guggenheim Bilbao. Nevertheless, Photo: © FMGB Guggenheim Bilbao / Erika Ede
The “Soak-Stain”: a singular technique – Guggenheim bilbao, exhibition immerses us
She did not take long to familiarize herself with this language. For example, while bringing her own touch, in 1952, with her technical “Soak-Stain”, emotional and abstract translation of her feelings. However, It dilutes its oils with turpentine essence to obtain a fluid and transparent consistency. Meanwhile, And then pours its colors directly on an unprepared cotton canvas, allowing the pigments to penetrate it. The result? Fluid surfaces on which forms seem to float. ethereal, airy and graceful works, far from the hectic turbulence of Pollock paintings.
Walter Silver, Helen Frankenthaler in his studio on the third avenue with Alassio (1960, work in progress), New York, 1960, Archives de la Helen Frankenthaler guggenheim bilbao, exhibition immerses us Foundation, New York. Photo: © The New York Public Library / Art Resource, New York. Graphic material © 2025 Helen Frankenthaler Foundation, Inc./ Artists Rights Society (ARS). New York / Vegap
That same year, she realized Mountains and seaone of its masterpieces (unfortunately absent from the Bilbao exhibition) which will influence a whole generation of artists. Morris Louis and Kenneth Noland in particular that Greenberg will show them in April 1953. It is Helen Franketnhaler who will also contribute to the development of the movement of “Color Field Painting” whose works are characterized by large expanses of bright colors. modulated by material effects, creating uninterrupted plans and in which all figuration is excluded. In 1958. three years after the end of her relationship with Greenberg, she married the painter Robert Motherwell whose life she shared for thirteen years.
View of the exhibition “Helen Frankenthaler. Painting without rules »at Guggenheim Bilbao. Photo: © FMGB Guggenheim Bilbao / Erika Ede
Happy explosions of colors
Presented in chronologically. the Guggenheim exhibition brings together around thirty of Helen Frankenthaler’s abstract and poetic paintings, which the commissioners confront, at the end of the course, with some paintings and sculptures of his friends Morris Louis, Mark Rothko, David Smith and Anthony Caro. Frankenthaler’s canvases of the 1960s. punctuated by his travels, in the United States and Europe, alongside Motherwell, are joyful explosions of colors like All fruits (1966) or Santorini (1965) which draws its title from the Greek island of guggenheim bilbao, exhibition immerses us the Aegean Sea.
View of the exhibition “Helen Frankenthaler. Painting without rules »at Guggenheim Bilbao. Photo: © FMGB Guggenheim Bilbao / Erika Ede
After her divorce from Motherwell in the summer of 1971. she spent her summers to travel to Europe (Italy, Austria, France, Belgium and England) and manages to renew her art, to reinvent themselves as evidenced Ocean Drive West#1 from 1974 in which she devoted himself to a tonal and atmospheric abstraction. Its surfaces are then more dense and more worked.
Consecration of the artist between light. space
In the 1980s, she guggenheim bilbao, exhibition immerses us discovered a new sense of space and light which reports on works like Madrid (1984), orCathedral (1982) at the pink background dotted with red, green, pink and blue star stars. The 1990s saw the artist honored by major exhibitions. at the Salomon Guggenheim in New York in 1998, then at Guggenheim in Bilbao in particular.
HelenFrankenthaler, Cassis, 1995, Acrylique sur papier, 154,3 x 198,8 cm © 2025 guggenheim bilbao, exhibition immerses us Helen Frankenthaler Foundation, lnc./Artists Rights Society (ARS). Additionally, New York/ VEGAP, Photo: Roz Akin, courtesy Helen Frankenthaler Foundatioin, New York
After her marriage, in 1994, with the businessman Stephen Dubrul, she found a new momentum and a fanciful joy that reflectsSolar impulseet Cassis both made in 1995, and a little later,Exhibition in the South(2002). Consisting of a huge sunflower yellow flat. zebra in its upper part of a small blood-red beach, it testifies to the fleeting of time. The artist then alternates paintings on canvases and paintings on paper. From 2004, his artistic activities are limited due to health problems. The artist died in 2011 at the age of 83.
View of the exhibition “Helen Frankenthaler. Painting without rules »at Guggenheim Bilbao. Photo: © FMGB Guggenheim Bilbao / Erika Ede
“Helen Frankenthaler. Paint without rules “
Guggenheim, Abandoibarra Etzbar, 2, Abando, 48009 Bilbao, Bizkaia, Esagne
From April 11 to September 28
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