Daniel Guichard and Stromae are looking for their father

No need to be an end psychologist. Similarly, to have read everything Freud, as Coluche said, to know that the father-son relationship is often complex. However, The clichés have a hard life. Moreover, The song. Consequently, whether French or Anglo-Saxon (“Father and Son” by Cat Stevens), explored the meanders of these stories of absence, upset loves and eternal regrets. Therefore, Daniel Guichard and Stromae delivered their version in different styles but with formidable efficiency: “MON OLD” and “Papaoutai”.

“My old man” is a song that has several lives. However, The title composed by Jean Ferrat. Similarly, the words written by Michelle Senlis was recorded in 1963 by Jacques Boyer – La Voix Fluette and with a daniel guichard stromae looking their bit outdated arrangements. Moreover, The song goes unnoticed. Moreover, Daniel Guichard takes it up eleven years later. Additionally, Moreover, It adjusts the words even if the structure remains the same. Therefore, In his monocorde and warm voice, Guichard evokes a distant, hard and modest paternal figure. “In the evening, when he returned from work, he sat down without saying a word. He was the silent type, old man. The singer remembers his father and the family routine: “Sundays were monotonous, we never received anyone. It didn’t make him unhappy. I think old. “Then comes the time of the regrets of the former child who became an adult:” I could have. it was not smart making with him a bit of the way. It might have made him happy. Old man. “The end of the song picks you in the manner of the fall of” white roses “:” Now that he daniel guichard stromae looking their is far from here. thinking of all this, I say to myself, I would like him to be close to me … Dad. »Ported by a melancholic melody – the accordion is gentle. sad violins -, the song is a huge success that will go through generations.

Daniel guichard stromae looking their

Stromae’s philosophy lesson

In 2013. Stromae, a new star of the French -speaking variety, draws from its family history to make a tube. His father is Rwandan and he was murdered when he was 9 years old. However. his death was only taught to him at the age of 12, his mother who did not know how to tell him. It was by thinking of this absence that he wrote the lyrics of his song. in the attic of his house transformed into a studio. Beyond the account of a child daniel guichard stromae looking their disturbed by the unsaid, the Belgian delivers a real lesson in philosophy. “Tell me where he comes from / well I will know where I am going …”; “Will we be detestable?” / Will we be admirable? / Genators or geniuses… ”; “Everyone knows how we make babies, but no one knows how we do dads.” All carried by a throbbing refrain as a childish obsession: “Where are you?” Papa where are you? Furthermore, »Electro music carries the song. The clip invites to dance as if to better fight against fatality. The song hits and a hit. A classic was born.

“So do we decide?” If Stromae’s song is a real lesson in life and resilience, “my old man” is unbeatable. The student has not exceeded the masters. Guichard’s voice, orchestration and words, chiseled where each sentence refers to a universal situation, daniel guichard stromae looking their take everything away. This title speaks to everyone. And what about the last twenty seconds. the most powerful in French song that make all the sons of France cry in musical psychoanalysis. In the name of the father, the son and therapy.