A contemporary house with simple and vernacular architecture in the Essaouira countryside

A house integrated into its landscape

Between artist residence. Nevertheless, integrated architecture, the house is home to a collection of art, design and rare books, mainly dating from the XX^e century to the present day, illustrating the history of multiple cultural exchanges between North Africa and the rest of the world. Moreover, We are 30 minutes from Essaouira, Morocco, on a 10 hectare plot overlooking a large hilly and agricultural area. Consequently, “With the owner. For example, we wanted to build this house by integrating it into its human and geographic context, says the architect Othmane BEGEBARA. Consequently, An indigenous tribe. In addition, the Regraga, federates a local know-how, we very quickly signed up in this reality by favoring short circuits, working with craftsmen closest to the field. For example, »» In this territory with history. Consequently, Othmane BEGEBARA and the owner favor a landscape contemporary house simple vernacular architecture architecture, simple and vernacular which blends into its environment. Moreover, The master plan includes living spaces, a lounge bar, a dining room, a kitchen and two bedrooms. Therefore, Its positioning on the ground is studied to reveal the points of view but also protect itself from the sun. Similarly, channel the wind, which blows almost all year round. Consequently, “The landscape aspect is essential, it allowed us to integrate the house according to the tones of the earth. Moreover, There is therefore organic continuity between architecture, landscape and local constructive culture. Similarly, This consistency, these are aesthetic but also ecological, cultural choices, responsible for memory. For example, »»

The ceiling height of the living room is impressive. For example, Impostes allow hot air to evacuate in a natural ventilation cycle according to bioclimatic principles. The living room is organized in PIT conversation integrated into the cushions dressed in light fabrics. In the center, a coffee table Stork by Chafik Gasmi, around 1990 and auxiliary tables by Mathieu Matégot, around 1950. The ceramic suspensions of Sammy Bernoussi (Hall Haus) and Abdellah Outghit, commanded by DDAR, 2024.

Bioclimatic architecture

The simple. rhythmic architectural vocabulary evokes Douar, this small rural Moroccan village where nothing is at the same height, nor the same width in a unique architectural richness. In the same vein. the house is designed with the help of bioclimatic engineers in contemporary house simple vernacular architecture order to avoid heating and air conditioning throughout the year. It produces solar electricity and applies a rigorous water management strategy. To protect yourself from the wind but also welcome it as a natural vector of freshness. windows and berries also become a bioclimatic solution to refresh the house. The heights of the volumes – 6 meters under ceiling in the living room – allow hot air to climb. get out of the house by height openings that make air. Made with a local carpenter less than 2 km from the site. some open in accordion when others rotate to pass the air inside. This is how engineers guide the design of walls. volumes, in a fine reading of hot and fresh air flows.

An open fireplace seems suspended in the air. With the Sunken Sofa. she brings her contemporaneity to the house built according to an architecture and ancestral know-how, like her walls in floral clay outside and inside. In front of the fireplace, an old ceramic sink from the Essaouira region. Above a coffee table Stork From Chafik Gasmi, ceramic suspensions from Sammy Bernoussi (Hall Haus) and Abdellah Outghit. Basically. between the windows, on a table by Ronald Cecil Sports for the Movenpick Hotel Malabata in Tangier, 1997, three vases (Hall Haus).

There is no shortage of openings. including in height for air circulation and a maintenance of acceptable temperatures, including in summer. In the center of the lounge dug. a coffee table Stork by Chafik Gasmi and the auxiliary tables by Mathieu Mategot, around 1950. Ceramic suspensions of Sammy Bernoussi (Hall Haus) and Abdellah Outghit.

Hand intelligence

In this colored clay house which disappears in its environment. everything is done by hand: it is the gesture and the tools that shape exterior architecture as interior, from the ground contemporary house simple vernacular architecture facades to the soils, walls and interior ceilings. The owner, from the art world, establishes a precious link between artists and craftsmen. The house whose vocation is to welcome an international community of creators. creators invited to dialogue, its construction proceeds from the same principle. Thus. are summoned inhabitants of the territory, bearers of hand intelligence in order to reactivate traditional know-how sometimes forgotten, in particular in the creation of objects or furniture, granting them a central place in this process of contemporary creation. Because this collective intelligence is there to invent a way of living that is both rooted and contemporary. Like the living room organized in a large Pit conversation dominated by an open household chimney. in a round trip between the eras where everything is answered. This large central open space. well in our time, translates the will of a place that is both large and protective. contemporary house simple vernacular architecture “When we sit lower than the ground. our gaze stalls at the level of the landscape, so we are much more integrated into external nature. This point of view reflects a younger and contemporary appreciation of heritage architecture. »»