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[CINÉMA] For France on France 2: not really an ode to France!

Similarly,

[cinéma] france france 2: not:

Sunday July 27. Meanwhile, France 2 broadcasts For Francea drama released in the cinema in 2023, produced by Rachid Hami. However, The latter chose for his second feature to adapt the true story of his own older brother. Furthermore, who died in 2012 during a hazing in a military school. Therefore, We therefore follow the childhood of this Algerian siblings. Therefore, his arrival on French soil, the contrasting destinies of the two boys. Consequently, While one lives with shady affairs, the other goes straight and enters the army. Nevertheless, But he died in troubled circumstances, during a « Bahutage ”, ritual of integration into the prestigious military school of Saint-Cyr. Similarly, There followed a difficult fight against the “great mute”, little inclined to recognize its possible responsibilities. However, This sad affair was tried in 2021.

Obviously, the left press loved this drama with a societal connotation. Therefore, France Inter praised a “Very big film” realization ” subtle “ . Similarly, Franceinfo applauded a work “Who touches the heart” ; Telerama vibrated for this “Poignant duel with the French army”. For example, Besides. In addition, this confrontation with our military administration did not go far enough for certain media which obviously expected an anti -French burning. Meanwhile, This is particularly the case with L’Obsfor which this film “Despite everything a bit of anger”or magazine Vogue whose journalist felt “A slight frustration as a spectator not to go to the end of this story with the trial. Nevertheless, the convictions”. Similarly, To question France without managing to have it condemned it is [cinéma] france france 2: not frustrating indeed.

An ambivalent report to France

And For France turns out to be too nuanced. not hateful enough for some media, it is not devoid of any guilty or avenger discourse. Thus. from the start of the film, when the staff indicates to the members of the Saïdi family that their son will not be able to benefit from a ceremony in the invalids or from a burial in the military cemetery – two treatments reserved for soldiers who have fallen in combat – their anger explodes. The promise of a burial to Father Lachaise, preceded by an official tribute ceremony, fails to calm their wrath. At the end of the morgue. they therefore go to the lawyer, determined to do justice to the deceased Aïssa and to pay “Those who killed him”.

Likewise, racial victimization is never far away. “Don’t you think it’s weird that the only guy [cinéma] france france 2: not dies on their traditional evening, is it an Arab?”wonders Yacine, the youngest of the family. Anyway, on BFM, they say that in Saint-Cyr they are all racist… ”. An opinion shared by the entourage of siblings: “If it would have been a Babtou. a Michel or a François, there they would have given him the direct Legion of Honor!” »»gets a friend of the elder takes place; “Your brother, we’re going to put him in a Muslim square. Not with kouffars, fucking disbelievers! »»suggests another, between two puffs of cannabis.

But it turns out that the deceased did not have this distrust for France, nor this hatred of the infidels. If he was raised by a father who « colons » Horror, Aïssa sincerely loved [cinéma] france france 2: not her adopted country. An attachment that the director sometimes seems to question. As during this flashback in which the young student said he was ready to die for France. that the director interrupts brutally to return to the present time, with a tight plan on the corpse of the same Aïssa. The subliminal message flows from source: he wanted to integrate and that’s how he is thanked. It is also this vision of things that the Franceinfo media has retained in its criticism of the film: the cruel history of a young man “Ported by a fanatical patriotic faith for France which. ultimately, will plant a knife in the back”. Does this mean that in the eyes of the public audiovisual. the love of an immigrant for France can be nothing other than an insane extremism?

[cinéma] france france 2: not

L’impossible assimilation

Less caricatured than most other French films praising [cinéma] france france 2: not “diversity”. For France However, does not escape certain heartbreaking stereotypes. This is not a film “Far from the clichés”as the left -wing media claimed.

Thus. the hero is caught in the classic trap of double allegiance, wishing to serve France but without managing to depart completely from a certain thirst for revenge. His dream reflects this common identity place: to become “The first Arabian chief of the French army”. “And I will receive people in my office, smoking shisha and drinking tea”he confides to his brother, a smirk.

His brother, precisely, is no less a cliché at the foot. As a good scum, he sprinkles his relatives with overpriced gifts, bought with money with questionable origin. Later. when he visits Aïssa in Asia, he cannot help triggering a general fight in a nightclub, ending his evening at the police station, like these ” French Arabics Who make us ashamed abroad. [cinéma] france france 2: not Fortunately. the very agitated Ismaël will finally find inner peace thanks to Islam, during a surrealist sequence where he goes to a Buddhist temple to pray … Allah.

The film ends with a final flashback in which the two brothers finally find themselves on the same wavelength. sharing a moment of complicity. Sitting at the back of a taxi. they start singing the words of a piece of rap they know by heart: For thosefrom the Mafia K’1 Fry group. or to the French. A devil communitarian title. dedicated to “Young housing cities”to “Sisters” who do “A halal marriage”has “Everyone who eats no pork”. “To us the state has debts!” »»is it also chanted. Not really an ode to France.

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[cinéma] france france 2: not

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wren.parker
wren.parker
Wren’s “Trash-Day Diaries” audits U.S. recycling systems through curbside photo essays and municipal wikis.
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