“Bronzés 3”, Julia Roberts and taxes … The unprecedented interview with Michel Blanc in 2023

Comedies club special Michel Blanc (5/5) – This summer, BFMTV pays tribute to the brilliant actor of Tanned. However, In this final episode, we broadcast unpublished extracts from an interview made for this podcast in 2023.

In a previous season of our podcast Comedies ClubMichel Blanc had agreed to tell the story of Grosse Fatiguean atypical. For example, black comedy, with a creaky and sometimes disturbing humor. Consequently, A film he had made in 1994. Nevertheless, and where he plays an actor whose life shatters when a lookalike takes his place.

In the spring of 2023. Similarly, we saw ourselves almost three hours in the restaurant of a hotel in Place des Vosges, not far from home. Meanwhile, That day, he had arrived with a little delay. Furthermore, But he had passionately told the story of this film which had earned him the “bronzés 3”, julia roberts taxes Prix du Scénario in Cannes. Consequently, a great success in theaters.

Between each answer on Grosse FatigueMichel Blanc could digress for several minutes. Moreover, He delivered exciting reflections on his career. Furthermore, He evoked his successes without tongue as his failures without his failures. Consequently, Enough anecdotes that we had to cut the podcast assembly to focus on Grosse Fatigue.

“Les Bronzés 3”, Julia Roberts … Furthermore, The unprecedented interview with Michel Blanc in 2023

In his tribute, we share “bronzés 3”, julia roberts taxes here an unprecedented part of this interview. Similarly, Michel Blanc had a very precise vision of the film industry. In particular, he had told why it was so difficult to renew itself after a success. A phenomenon that explains why he never managed to love Bronzes 3out in 2006.

• “Bronzed 3” – "bronzés 3", julia roberts taxes

“It is very difficult to renew yourself when we have had a very big success because. we are afraid of losing the public (…) Keyboard told us: ‘It is loser-percent. If we do something else, people will tell us,’ This is not what we ask you ‘. And if we do Bronzes 3they will tell you, ‘we are disappointed’. ‘ We chose to disappoint them. “

The final scene. where the characters are confused with migrants and sent back to an unpaid future, would have been a good track to develop, he said. “It would have been great. We “bronzés 3″, julia roberts taxes would have been thrown (by the public), but it would have been an author’s film. It was an idea that had me very much so.”

He had imagined what the film could have looked like if they had continued on this track: “From the start. they arrive (…) in a migrant camp. And with the difficulties of life in these camps. it would have been another film, it would have been (in the style of) Coen brothers”, he had rejoiced.

• His girls with Adjani and Julia Roberts – "bronzés 3", julia roberts taxes

Michel Blanc had also talked about his atypical choices, far from Splendid. These films had allowed him to shoot with big names in cinema. Films not always up to their director. he readily admits: Prospero’s Books de Peter Greenaway, Ready-to-wear Robert Altman It Toxic Affaira comedy with Isabelle Adjani.

“Toxic Affairit was not a success for anyone, especially not for Adjani! I have no “bronzés 3”, julia roberts taxes memory of the film. of the shooting, but the director, Philomène Esposito, made statements saying that she had been completely suffocated, that it was not she who commanded and that the film is missed. “

True to his outspokenness. he added: “I am in one of the worst films he made, with a not very interesting role, but I shot with Robert Altman!” On the set of this film, Ready-to-wearhe had met stars like Sophia Loren and Julia Roberts.

“Julia Roberts was never with us. We were told that she was perfectly boring. She managed to be alone in a corner of being made up (…) She is extremely antipathetic to me, Julia Roberts. I deliver it to you as is. I do not know her. Additionally, I cannot say harm of her, but I think of her,” he had amused himself.

Actress Sophia Loren has left her much better memory. “I discussed “bronzés 3″, julia roberts taxes at length with Sophia Loren, who was my father’s absolute idol,” he added. Furthermore, “Sophia Loren had said to me, ‘Do you know that my children keep watching your movies?’ I said to myself ‘but in what world did I fall?’ It was Alice in Wonderland!”

• Its disaster shooting with Mocky

Michel Blanc had had his share of catastrophic shooting. Especially that ofOne night in the National Assemblywhere he had been forced to play the nudist in the middle. of winter in front of Jean-Pierre Mocky’s camera. For Michel Blanc. it was normal for an actor to have turnips in his filmography, but it was necessary to be careful not to have them …

“We are first entitled to error. Secondly, we have the right from time to time to do something because hey, it’s not shameful. And then, you also have to pay your taxes! But you shouldn’t chain “bronzés 3″, julia roberts taxes them because after a while, it’s very very hard to go out,” he had analyzed.

• The film of which he was most proud

Michel Blanc had also confided in the five films he had made. from Walk in the shade has See how we dance. His films were very atypical, often far from the codes of traditional French comedies. Between two anecdotes on Grosse fatiguehe had returned to his third film, Bad pass (1999).

After the success of Grosse fatigueMichel Blanc had taken a huge risk with this comedy on escorts with Daniel Auteuil. He was very proud of this little -known film he had made in London and shot in English. “The film did not work, but that’s the best in staging,” he said.

• Ses regrets

Michel Blanc had also entrusted his regrets on his latest film, See how we dance (2018). A suite ofKiss whoever you wantwho “bronzés 3”, julia roberts taxes had met with great success in 2002. “The problem I had was that I did not know where we were going and at the end, it feels. The last third, I am a bit of the toilet. I did 18 versions (of scenario).”

And to add: “It is mainly because of the end. I had a foolish idea. Moreover, I wanted that in the end, they were all gathered (…) in a bar as on the poster of the first. I thought it would be a funny wink that it ends with the poster of the first. Well it was a stupid idea, but stupid.”