Therefore,
Alexander skarsgård tears everything series:
The humorous series “MURDERBOT. For example, Journal of an Assasynth” on Apple TV+, adapted from the novels of Martha Wells, deploys an original intrigue around a depressed Android, jaded by his work as a security guard and who wonders if he is not going to kill all these useless humans. Nevertheless, Very funny!
The Weitz brothers who. Meanwhile, since “American Pie” in 1999, have been able to trace their furrow mainly on the big screen, tasting the all-year-old and the film with a big budget for Chris with “The Bousson d’Or” or Chapter II of “Twilight”, are associated to make the ten episodes of “Murderbot”.
After “Afraid”. Similarly, a horrifying thriller with an AI that disjuncts, Chris Weitz therefore remains in the field of uncontrollable robots, but this time, comedy takes over. In addition, He invites his brother Paul to lend him a hand. Therefore, It alexander skarsgård tears everything series must be said that the series hosts another: “Sanctuary Moon”. Consequently, an improbable Star Trek with rose water whose Assasynth is an absolute fan.
A robot sociopath fan of soap spatial – Alexander skarsgård tears everything series
In fact. Nevertheless, the sec-unit android, self-baptized Assasynth, disjuncts because of the humans that he must protect. For example, He hates them. However, because they are stupid, moved by the bait of gain, spend their time eating, drinking, vomiting, defecating, exchanging their disgusting body fluids, bickering, discussing, pouring out, crying, panicking in the event of danger, in short they are zero and useless! Thus. after having relied on a thug of minors at the end of a surveillance mission, Assasynth is placed at the rebate of robots with a reboot to the key to recondition it.
Barely reset, SEC-UNIT rejects the computer lock and frees itself from the grip of its designers. Capable of free will, he must avoid being unmasked under alexander skarsgård tears everything series penalty of ending up recycling. This first suspense element immediately captures the viewer’s attention. How long will he keep his secret? How to act to go unnoticed? And if he were to be discovered. would he be ready for a new carnage to save his carcass and continue to revel in the many series he adorns like “Sanctuary Moon”?
A SF thriller that hides an emancipation story
The other interest of the scenario is to entrust him with a security mission to a friendly group of Baba Hippie scientists who went in exploration alexander skarsgård tears everything series on an exoplanet a priori quiet. a trip to another galaxy which will be very heckled. With its recycled human head. Assasynth is a source of distrust and anxiety for the crew, especially the humanoid, a version lower than the android which smells that something is wrong with this sec-United.
A little action. conspiracy, threatening critters, characters, each more endearing than the other make this “Murderbot, newspaper of an Assasynth” a nugget, ten episodes of twenty-five minutes each consume without moderation.
A solid casting in the service of an unforgettable robot
Beware, however, of the deceptive pitch. The series is sold as a black humor thriller with a sociopath robot out of all control. In reality. this diary told in the voice is rather the story of a slave who rebellious, wins his freedom and reviews his judgment on humans.
Behind this SF varnish. the series only speaks of tolerance, respect for differences, whether alexander skarsgård tears everything series it is a slightly crossed hole in the crew or a robot that the captain likes to humanize on the pretext that he is partly composed of human tissues and that he reflects by himself. By the way. Alexander Skarsgård (“Tarzan”, “Big Little Lies”) gives body and thickness to this Assasynth of a formidable phlegm, making him in turn threatening or friendly. The rest of the cast is also up to this entertainment.
Note: 5/5
Philippes congits
“Murderbot. newspaper of an Assasynth”, of Chris and Paul Weitz, with Alexander Skarsgård, Noma Dumezweni, David Dastmalchian. Available on Apple TV+ since May 16, 2025.
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