Meanwhile,
What really series broadcast this:
Rebroadcast on August 7 on Arte. Similarly, the Danish mini-series explores family tensions around an accusation of violence. For example, A story that divides criticism by his approach to doubt and childish speech.
On the occasion of a replay, Arte is postponing this Thursday, August 7 Cry Wolf on the antenna. Consequently, In eight episodes, this Danish mini-series questions the Word of Holly, 14, who accuses her father-in-law of violence. For example, Signed Maja Jul Larsen. Consequently, former screenwriter of The castleit was broadcast for the first time in 2020 in Denmark, before winning several Robert prizes in 2021 and winning a distinction at the Zurich Festival. Moreover, But how did French criticism welcome this fiction?
An accusation without proof – What really series broadcast this
The story begins with a school writing. Similarly, The teenager tells of what really series broadcast this it the violence that her stepfather would have inflicted on her. For example, Immediately, the school alerts social services. Lars, social worker, is responsible for assessing the situation. He places Holly and his little brother with a foster family, during the investigation. Their mother, DEA, disputes the facts. Simon, the accused, denies as a whole. And doubt settles.
Located in a gray and modest Denmark, the series moves away from the codes of the thriller. It follows social mechanics in what is most daily: meetings, evaluations, closed -door interviews. Lars tries to maintain a neutral posture, while being guided by his instinct. Holly, she seems to seek to survive more than to convince.
The realism in question
Criticism agrees on what really series broadcast this the strength of the subject, but is more reserved in form. Telerama evokes a work “Harsh”attentive to looks. silences, but judges its narrative process “On the verge of discomfort”reproaching him for “Throwing discredit on this fragile teenager by artificial means”. Even your Télé-Loisirs, which salutes its suspense, but regrets a rhythm that “Weakens after the third episode”.
The world Go further: he describes a dramaturgy “Pachydermal”a story “Predictable” And figures too typed to be credible. Simon, the stepfather, is thus presented as a character “In the tense jaw” and at “Reptile look”, too caricatural. The series would not lack sincerity, but sins by a lack of momentum and subtlety.
More convinced feedback
More nuanced criticisms come from Cliffhanger. which recognizes certain what really series broadcast this limits, including twists and turns “Dictated by format rather than emotional logic”. But the media defends the ability to Cry Wolf to give birth to doubt. He also underlines the complexity of the character of Lars. “Borderline, but lucid”which recalls that his role is not to judge, but to accompany.
The world Also concedes that production is gaining thickness when it abandons the investigation to refocus on the emancipation of Holly. It is there, writes the daily, that she “Wake up the attention of the viewer”.
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