“We are both allergic to politically correct”

It was Valeria who had to warn her friend from the disappearance of her father – "we both allergic politically correct"

They grew up on edge. Meanwhile, Karine Silla: “We had the soul in vive and our friendship was born on this ground. Nevertheless, What is most important than life and death? Furthermore, After the death of Thierry Ravel, Valeria Bruni Tedeschi and Karine Silla lived together in Paris. For example, The second was then pregnant with her daughter, Roxane, born in 1992, whose father is Gérard Depardieu. Moreover, Everything was chained, unleashed. Consequently, A year after the death of Thierry Ravel, Valeria Bruni “we both allergic politically correct” Tedeschi knew that her brother had AIDS. Consequently, “He learned almost at the same time as Thierry’s death, even if he preferred to wait to tell me. Meanwhile, He feared that it was too much pain at the same time for me. Consequently, As soon as I was aware, I called Karine. Furthermore, »»

Death of Thierry Ravel. Consequently, Disease of the older brother of Carla Bruni and Valeria Bruni Tedeschi; Birth of Roxane Depardieu; Death of the father of Karine Silla, in Ethiopia, at 56, of a rupture of aneurysm. Furthermore, Valeria Bruni Tedeschi received the news by phone and had to warn her friend of her father’s disappearance herself. Nevertheless, The actress of “attachment” (2024) confides: “Karine was alone during her pregnancy and I was there for her. Consequently, For my part, I was eaten away by a feeling of guilt when Thierry died and she gave me. Meanwhile, “we both allergic politically correct” It is our story: we were essentially, all the time. Furthermore, »»

The two artists draw in their lives to write, realize, play. Consequently, In the film “Les Amandiers” (2022). In addition, the Franco-Italian actress and director Valeria Bruni Tedeschi reconstitutes the theater school created by Patrice Chéreau and her love for Thierry Ravel. Furthermore, In the novel “Twenty years”. Similarly, the Franco-Senegalese novelist and director Karine Silla replayed her story with Thierry Ravel, her experience as a prison visit, her interest in the news. Consequently, It stages two mirror couples. For example, The sage Jeanne leaves her family to follow Tristan. Meanwhile, Following a robbery, at 19, she was imprisoned in Fleury-Mérogis for homicides with firearm. Moreover, The narrator, double of Karine Silla, is fascinated by Jeanne. She was in a relationship with a heroinomanian actor named Romain. She could have changed in the worst. The character of Jeanne recalls “we both allergic politically correct” the murderer Florence Rey. Karine Silla: “In ‘twenty years’, there is a buried past that resurfaces. I have always been fascinated by the news. their journey towards resolution: we try to approach the truth, as we try to touch the sun. »With a writing of shadow. light, Karine Silla wrote a novel on the thread of memory: one can forgive others, without forgiving ourselves.

&quot. we both allergic politically correct" – "we both allergic politically correct"

“I despise cowards,” says “we both allergic politically correct” Karine

Valeria Bruni Tedeschi and Karine Silla are both mothers. The novelist, married to Vincent Perez, has four children. In “Twenty years”, she breaks a taboo with the painting of a devouring and monstrous maternal figure. “The love of a mother is by definition anxiety -provoking. For nine months. we bring someone to life and then after, inevitably, we bring them to death in a feeling of anxiety. I have three sons and a daughter. The best friend of one of my sons had two mothers who separated and redid their lives. So he had two mothers and two mother-in-law. While I put for the umpteenth time the cream on my son’s face to hydrate his skin well. he looked at me with despair saying to me: ‘When I think Henri has four mothers.’ »»

Karine Silla dedicated “twenty years” to Valeria Bruni Tedeschi. They shared a thousand things. Valeria Bruni Tedeschi: “we both allergic politically correct” “Karine tells by fiction something personal. I was happy to find Thierry. It is vital, for me, to summon the dead in films and books, because, if not, what remains of them? I liked the writing, the different characters, including the prison director, the complexity of the characters. Karine faces the difficulty of talking about good and evil and shows how much empathy is stronger than ideology. “In” Twenty years “, the author makes the picture of a youth playing with fire. Valeria Bruni Tedeschi: “I tried different drugs, I saw how wonderful it was, I stopped before putting myself in danger. I don’t have an addictive temperament. On the other hand, I am a co-addicted. When I was young, I experienced drugs through Thierry and, even today, I think we could have saved him. “Karine Silla:” I have never touched drugs. but I am wary of my temperament, because “we both allergic politically correct” I lived with someone who was in criminal situations and I know that I will never deliver anyone. I am in all the flaws of humanity. We both have a feeling of guilt: we feel guilty to live, while the other dies. »»

&quot. we both allergic politically correct" – "we both allergic politically correct"

“We are both allergic to politically correct,” notes Valeria

In “Twenty years”, the narrator recognizes herself in the “we both allergic politically correct” majority opinion, before moving backwards. The two friends experienced, through beloved men, the dark side of mass excitement. The actors Sofiane Bennacer. revelation of the “Amandiers”, and Gérard Depardieu, father of Roxane, are accused of rape and violence. Beyond them, the two women dissociate themselves from group movements. Karine Silla returns to a traumatic memory: “I saw, at 10, a man being stoned by the crowd in Burkina. The pack leads to bodily, psychic or social death. What is more terrible than being prosecuted by a pack? In a class. when a dunce makes the clown, the group acclaimed it but, when it finds itself punished, there is no one left. I despise cowards. »»

Valeria Bruni Tedeschi: “I have no illusions on this job. We are loved, then we make two films that do not work, and we find ourselves ignored. Over the next day, you can go from first “we both allergic politically correct” to last. I especially believe in attention: small gestures of empathy. like a look, a hand on a shoulder, a smile, in moments of despair. People of the pack feel in good. I never feel in good or evil. The group that believes itself on the right side and helps me. We are both allergic to politically correct. I feel ashamed when I realize that he contaminates me. I do not pretend to have an original thought, but I need to think for myself. »»

Their friendship is intact. They never cut themselves off. They deepen feelings and sensitivity together.

At first glance, they are different. Matte skin and piercing eyes; pale complexion and clear look. The first seems hieratic, the other appears incandescent. But quickly everything is reversed, because the depth binds them: a complicity, a laugh, an injury. Karine Silla: “Valeria knows how to make a comedy of what is “we both allergic politically correct” black. She takes us to laughter. In the first ten seconds of our meeting, friendship settled between us. Valeria represents power, savagery, transgression. Thierry’s mother was quite dictatorial. Valeria said to me: ‘Come, we’re going to talk to her.’ The doors do not stop it. We are relentless, but each in our own way. When I see what I’m not going to manage to do, I change my shoulder rifle. Valeria is a victim of her own strength. She attacks mountains and really tries to move them. Its power is for others tiring and intoxicating. When you are by your side, you have the impression that nothing can happen to us. It’s wonderful for us, nightmarish for her. »»

We observe them both. Their friendship is intact. They never cut themselves off. They deepen feelings and sensitivity together. Karine Silla: “The most beautiful memory that binds me to Valeria is the “we both allergic politically correct” birth of Roxane, my eldest daughter. Gérard. who had wanted this child so much, lived in terror to hurt his wife from whom he had told me he was separated. Valeria took her car to pick him up in Bougival. so that he was present for the birth of her daughter but, halfway, she realized that she might be missing the coming to the world of Roxane. Valeria and my sister, the two most important women in my life, made my birth happy. “Valeria Bruni Tedeschi:” I sometimes lived catastrophic. humiliating moments, especially with men, but I was able to bear them thinking that I was going to share them with Karine and that we were going to laugh together. Time passes. Some things change and others remain. They have so much to say.

“we both allergic politically correct”