“Twin Peaks” praised in the world of moviegoers

“I’ll see you again in Twenty-Five Years. For example, “(” I will see you in twenty-five years. Nevertheless, “) The sentence. Similarly, pronounced by Laura Palmer in the last episode of the second season of Twin Peaks, Broadcast on June 10, 1991 on ABC, had remained in the fans’ memories.

During the 29 preceding episodes. Nevertheless, the latter had attended, dumbfounded, to the investigation of agent Dale Cooper (Kyle Maclachlan) on the murder of a teenager from the city of Twin Peaks named Laura Palmer. Similarly, Surrealism, horror, mystery, humor … A perfect synthesis of David Lynch’s cinema. died January 16, 2025, at the age of 78, co -creator of the series with the screenwriter Mark Frost.

A first season in the spring of 1990. on ABC, then this second the following year “twin peaks” praised world moviegoers created what the Cadieux, deputy editor -in -chief of the magazine Sofilm and author of Travel to Twin Peaks (Capricci, 2015), describes as “Paradigm change” : “The moviegoers have been passionate about a TV series. And this because a filmmaker they loved was with controllers. »»

The genre equals the seventh art – "twin peaks" praised world moviegoers

A little over a quarter of a century later. the meeting given by Laura Palmer was honored. The evening of May 25. 2017, in the Grand Théâtre Lumière, the emblematic hall of the Palais des Festivals in Cannes, the two premiers Episodes of the third season of the series are projected (they were broadcast in the United States four days earlier on the Showtime channel, and the same evening on Canal+).

The standing ovation is very long, David Lynch has tears with an eye. The winner of the 1990 Palme d’Or, “twin peaks” praised world moviegoers for Sailor et Lula, What. This new season is definitively active in the series. The genre, formerly a minor, equals the seventh art and enthusiasm now as much, even more, the moviegoers. These two episodes will mark the 70^e Edition of the Cannes Film Festival. in the same way as the Palme d’Or – The Square, from Ruben Östlund – and the Grand Prix – 120 beats per minute, De Robin Campillo – awarded by the jury which Pedro Almodóvar presided.

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