Find the criticisms of the films released on August 13, 2025.
First reflex in time of high heat: go to the cinemas to enjoy a good film and air conditioning (and then you can sleep, in the dark, no one will judge you).
Critics of the week of August 13, 2025
“Is there a cop to save the world?” »D’Akiva Schaffer (4/5)
Extract: “The star couple formed by Liam Neeson and Pamela Anderson (on the screen as in the city now) breaks the diktat of sentimental youth. These two prove that glamor has no age and that self -mockery is an irresistible charm asset – the sequence of lovers preparing a dinner will remain in the annals of the comic. »»
“In Bouca” by Board Yamaguchi (4/5)
Extract: “Director Junta Yamaguchi and his screenwriter also producer Makoto Ueda are geniuses. Already the author of the totally barred SF nugget “Beyond the Infinite Two Minutes”, they reoffend with an equally smoky and delightful concept. Imagine that you infinite the last two minutes of your existence. »»
«Nobody 2» De Timo Tjahjanto (3/5)
Extract: “Even in a lost hole from Arkansas. Bob Odendrick still walks his loudness and relaxing character there, to die of laughter. »»
The “Fire of Fire” by Aurélien Peyre (3/5)
Extract: “With these two characters subject to acceptance or rejection, in a desire for normality, Aurélien Peyre succeeds in a touching film, of a pretty finesse and carried by two young intelligent actors, whose always inspired Félix Lefebvre. »»
« Karate Kid : Legends » de  Jonathan Entwistle (2/5)
Extract: “Everything smells good the film for teens who would not have aged, frozen in a bygone era where one wonders how young people of today can find any interest there. »»
« Together » de Michael Shanks (2/5)
The idea is not to say too much in order to preserve the pleasure of gradually discovering the horror of the situation. And if the story remains astonishing, taking all its effect in a last plan which has not finished fueling post-projection discussions, we nevertheless regret a script aberration: why therefore our two heroes spend the night in this damn cave from which they are easily out of the next morning? Brief. The major asset of this film lies in its form and its rhythm which strongly recall the nightmares staged by Jordan Peele (“Get Out”, “Nope”). It is not a reproach, quite the contrary.
