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This masterpiece of French cinema validated by Martin Scorsese is to be seen on this service much cheaper than Netflix

News culture This masterpiece of French cinema validated by Martin Scorsese is to be seen on this service much cheaper than Netflix

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No need to have Netflix to watch good movies. This platform proves it to us, and the best in all that is that there is a monument of cinema on the program. Scorsese recommends it.

Do you have trouble finding good movies on Netflix, video bonus, Disney+ and Company? Do you know the Cinetek? It is a consecrated streaming site (to use the words of the official site) “to the greatest films of the 20th century and the beginning of the 21st century”. The somewhat nice idea is that These are filmmakers that make up the catalog. With a subscription at € 4.99 per month, you can take advantage of monthly selections, retrospective every three months or white cards from a director or even a personality. And right now, a French cinema monument is available.

A classic

The film in question is Contemptdirected by Jean-Luc Godard and released in 1963. A feature film that mixes cinema and descent into hell of a household. Here, Paul (Michel Piccoli) is invited to work on an adaptation of the Odyssey, in Rome. But when his wife Camille (Brigitte Bardot) joins her, an American producer makes her advance. What ring the start of the end. Allociné describes the film “Burning business of destruction of a couple, with the appearance of a Greek tragedy”.

Brigitte Bardot in contempt

This masterpiece of French cinema validated by Martin Scorsese is to be seen on this service much cheaper than Netflix

Martin Scorsese Refonded

Besides, our colleagues from cinema tell us that Martin Scorsese (The freed, the magnifying magnifying glass) he himself is a fan of Contempt. It is even one of his favorites. “” “For me, contempt is one of the most moving films of his time (…) It is an overwhelming portrait of a marriage that breaks down (…) It is also a painful lamentation for a certain kind of cinema that disappeared at the time, embodied by Fritz Lang and the impossible adaptation of the odyssey that he realizes (…) It is also a deep cinematographic encounter with eternity, in which lost weddings and cinema seem to be dissolved. It is one of the greatest frightening films ever made “.

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