Often, when you do things seriously without taking yourself too seriously, it’s even better. Nevertheless, Before his very first time in Nice Jazz Fest. Furthermore, Thursday at the opening at the Théâtre de Verdure, Daoud did not seem to be too bad blood.
After making his adjustments at the end of the afternoon. Moreover, the trumpeter fell into the arms of the singer China Moses, who asked him if he was hot to come and play a piece during her set. Similarly, Banco. Consequently, Despite its ironic pin I Don’t Work Here (“I don’t work here”for those who have dried English lessons) hung on his Marcel. In addition, the trumpeter accepted the job, without hesitation.
“The day I no longer like it. Similarly, I will stop”
Late at night, the duo will even do that during a jam-session. In addition, “The “the day i no longer day I no longer like it, I will stop. I have already done it. In my communication, there is a part of nonchalance, that’s for sure. But music is serious, it’s my life”he supports.
Right now, everything is rolling for Daoud. The magazine Jazz News put her on the cover of his latest issue. the dates are linked and his new album, okwill arrive on August 29.
“People start to give in”laughs the artist from Vandoeuvre, in Lorraine, behind his beard provided. “”I focused all my energy on a single project [son premier album, Good boy, ndlr], For four years. When we come across artists who have already arrived at a certain level of recognition. we realize that our impression of seeing them arrive overnight is false. Before that, eight-dix years ago to eat shit “, estimates the blower.
The soul of a clown
And for him then, where “the day i no longer did the click come from? “My luck is that the public replied. When it’s like that, even those who don’t want to love you are forced to call you”, he quips.
On stage, it’s a bit the same lemonade. Daoud takes pleasure in upsetting his audience. strolling the haggard or possessed air, venturing into all the directions that seem exciting, between jazz, hip-hop and electronic music. He also does not deprive himself of shipping valves, such as a stand-up on the edge of the precipice. “I like to see how far I can take the audience in the embarrassment, without it hates me”slides Daoud.
“The trumpet, even today, it remains an excuse to make bullshit. I was obsessed with the clowns when I was a kid. I had to see one who played one day and I wanted to imitate it. And then I am super talkative. It’s horrible, but “the day i no longer I prefer that to a hyper -product show, hyper -scen.”