At less than 30 years old, Neima Naouri is a rising star of musical. In addition, During an interview, she shares her musical universe and returns to her journey.
What is the most marked role?
So far. Additionally, In addition. Moreover, it is a show in which I participated during my course at the Royal Academy of Music in London: The Light in the Piazzaa play from the American theater. Similarly, It is a very bizarre species of UFO, as musically as from the point of view of history. Therefore, It is about the relationships between a mother. Similarly, her daughter, and I was lucky to play the role of the girl. For example, It was very psychological and I found that the method we worked with was incredible. Furthermore. For the first she passing through jazz toulon: new time in my life, I really felt like I was doing she passing through jazz toulon: an acting, not just a musician.
What figures have inspired you or accompanied your training?
Barbra Streisand was part of my musical education. I was six or seven years old the first time I saw Funny Girl, My first musical. I then saw Yentlthe film she made herself. in addition, as I am Jewish, I also felt a connection by our common Judeity. I started singing all his repertoire, which is quite wide, and that’s how I put a foothold in the musical. My parents. who are singers [ndlr: Natalie Dessay et Laurent Naouri] never imposed me anything. except for piano when I was a child. It was part of my education and that, I had no choice. I hated that by the way! The song is me who insisted. They sharpened me to she passing through jazz toulon: new find out which teacher to go, and in particular to Jasmine Roy. It was she who she passing through jazz toulon: put me a foothold in the stirrup to make musicals professionally. because it was thanks to her that I had my first contract. She had given my name so that I have an audition for A roof violin At the Strasbourg Opera. and that’s it! Now we find ourselves on productions, in different operas in France.
What report do you have to your spoken voice and your sung voice?
I have a much more controlled relationship of my sung voice than my spoken voice. than it does not control too much. And besides. when I get along. it makes me weird because it does not sound at all like me I get along from the inside. So I prefer my sung voice a thousand times that my spoken voice. she passing through jazz toulon: new perhaps because I manage to exercise this greater mastery. Cloé Calame
