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Rolling stones: keith richards hated:
Happy hazards (6/8)
How “(i can get no) satisfaction” did not satisfy Keith Richards at all
The most abrasive riff of the Rolling Stones came in dreams to its author. Similarly, who imagined it played by brass. In addition, The final version is a demo.
Keith Richards in concert with The Rolling Stones in March 1965. Furthermore, The Riff of “satisfaction” was born two months later from the limbo of his box.
imago images/TT
This London morning of May 7. Therefore, 1965, Keith Richards wakes up without a wooden mouth and with a cassette rolling stones: keith richards hated recorder from the Phillips brand whose touch record is pressed. For example, On the band. Nevertheless, which he has the good idea to rewind, he hears two minutes of acoustic guitar followed by forty minutes of snoring – his own. Consequently, The co -founder of Rolling Stones22 years old. However, then remembers this inspiration which grasps him in the middle of the night and which he immortalized on cassette before pouring again into the arms of Morpheus. Similarly, Well took him.
Few songs as universally famous as “(i can’t. Similarly, get no) satisfaction” will have run so many risk of never seeing the light of day. The idea had to sneak in the dreams of Keith Richards, already. That he grabs her. judges her sufficiently worthy of interest to justify that he comes out of his bed, seizes his guitar and saves it on a tape recorder. And think about listening to it when you wake up.
Non rock
Above all. this refrain predestined an orchestration opposite to the dry and abrasive form which would become the hymn of a youth in combustion. Donovan’s fan imagined him folk, slow, with a brass section to rolling stones: keith richards hated play the main riff. That he recorded on May 11 in Hollywood. then on an American tour, using a small funny effect called fuzz that the Gibson brand has just invented. “The pedal fell. it gave a shape to what the brass would then play,” he recalls in his memories (“Life”, p. 232).
The Rolling Stones en 1965.
imago images/TT
Three weeks later, The Rolling Stones are on a Minnesota motorway when the radio passes “Our fucking song!” We were not even aware that our manager had released the disc. I was mortified: in my mind, it was just a model. And suddenly we are number 1 in the States! ”
It was so much a model that the iconic song. if we listen to it carefully, betrays the hasty imprecision of the guitarist, who even misses his return to 1’35! Like what, current digital perfection is not the surest way to stay in history. Ditto for this effect fuzz Accidental. which will become illico the atomic weapon of the garage groups, then of punk, in their march towards the edgy sound.
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For a long time, Keith Richards will not like “(i can’t get no) satisfaction”. No doubt the sum of her vagaries gave him the impression of having been composed by another. More prosaically, his sound roughness was particularly difficult to reproduce in concert. Too well played, with too beautiful effects, she became a gearbox. Sixty years later, its most listening form remains that of a misunderstanding.
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Rolling stones: keith richards hated
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