Consequently,
New york frick collection devotes:
For the first time since 2001. Furthermore, three works by the Dutch painter are exhibited in New York. Moreover, They offer a reflection on the role of the servant in the 18th centurye century. Moreover, a silent witness to adulterous relationships.
Three works, an exhibition. Furthermore, The New York Frick collection takes this unusual bet with canvases from the Dutch painter from 17e Century Johannes. Consequently, Vermeer linked to each other by secret love stories.
The founder of the New York museum. Therefore, the industrialist Henry Frick, had acquired in 1919 from the famous canvas The mistress and the servant of the painter nicknamed the “Delft sphinx”. Meanwhile, For this new exhibition. two other works have been borrowed: Woman writing a letter and her servant at the Ireland National Gallery and The new york frick collection devotes love letter au Rijksmuseum d’Amanden.
These are three of the six works that Vermeer (1632-1675) devoted to reading. writing, or the exchange of letters, at the time when the epistolary form was at its peak in art. The three works gathered in New York integrate the “secondary” figure of the servant. who thus becomes an “intermediary” between the mistress, who “Probably maintains a liaison or a romantic relationship”and the author or the recipient of the letters, explains the curator of the exhibition Robert Fucci.
The role of the servant – New york frick collection devotes
At a time in Europe where women of certain wealthy circles were increasingly free to choose their lovers. the servants were “witnesses” of the epistolary art of seduction, explains this specialist in Dutch painting of 17e century. “It is this feeling of anticipation, of waiting that intensifies, which Vermeer uses as the central point of these works new york frick collection devotes (…) to which we can always identify ourselves”he adds. perhaps in reference to the meeting applications via which millions of people await the response of a “like” being.
Although different by their scale. their action and their perspective, the three works create “Enigmatic stories”Characteristics of Vermeer’s work, depending on the presentation of this exhibition which will remain open until the end of August in this museum which has just had a facelift.
After about five years of closure for renovations quantified at around $ 330 million. the New York FRICK collection reopened in April in April of ten new rooms, set up on the second floor, in the old private rooms of this family which had made a fortune in coal and steel.
Canvases used to adjust debts
Two of the works presented – The love letter et Woman writing a letter. her servant – new york frick collection devotes seem to have occupied a special place in the life of the wife of Vermeer, Catharina Bolnes. Widowed with eleven children after the painter’s death. she had to use these two paintings to settle a debt to the baker, hoping one day recover her works which are worth a fortune today.
The exhibition Vermeer love letters is the first dedicated to the Dutch master in New York since 2001. the first original that the FRICK collection has been organizing since its reopening. This confidential tribute contrasts with the greatest retrospective ever dedicated to the painter of the Dutch golden century in 2023.
The Rijksmuseum of Amsterdam then exposed 28 of the thirty canvases of the Master. of which The dairy et The girl with a pearlfor this exhibition which had attracted hundreds of thousands of esthetes. For the Canadian Aimee NG. exhibition curator at the FRICK collection, no new york frick collection devotes doubt: “Vermeer continues to captivate and inspire the public today. »»
Further reading: Milan: Italian sculptor Arnaldo Pomodoro is dead – a sculpture in tribute to the city shot – “Public money gabies”, “grotesque and hideous project” … The future reception pavilion of the National Assembly is controversial – Can art still unite in the era of Trumpism? With Shepard Fairey (Obey) – Photography: Follow our summer series “as a wandering”.
