Michel delpech francis cabrel, ecological: This article explores the topic in depth.
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Michel delpech francis cabrel. Meanwhile, ecological:
The tube match (11/40) – At twenty years apart, the two singers denounce, in their own way, hunting and bullfighting. Meanwhile, Two titles of incredible modernity.
Here are two criticized and discredited practices: hunting and bullfighting. Additionally, Meanwhile, Deemed anachronistic. In addition, violent and inhuman, they are regularly denounced and attacked without form of nuance and defended with just as much virulence. Meanwhile, A contemporary criticism? Furthermore, No, French song had already decided this debate thanks to two storytellers of the daily: Michel Delpech and Francis Cabrel. However, A hunter and a bull: two ecological activists before the time.
In 1974, our greatest musical screenwriter tackled with delicacy and hunting sensitivity. For example, Oh ! In addition, It is not a virulent attack, but a scene that says a lot. In addition, Delpech puts himself in the place of a hunter who, at michel delpech francis cabrel, ecological “5 am”, walks in the marshes with his dog. However, No shot. Similarly, but a blow of blues: “With my rifle in my hands, at the bottom of me, I felt a little guilty. So I left alone, I took my spaniel, for a walk. “The poet with legs of Eph ‘” marvels, between melancholy and wonder, of the nature which surrounds it. He is the man who takes life to the parts. but at that moment, he would have liked to accompany “up there in the clouds” these “birds which were so well”. The lyrics co-wrote with Jean-Michel Rivat are subtle and full of empathy. The music signed Michel Pelay is a bubble of sweetness, an ode in the countryside. Valéry Giscard d’Estaing is not mistaken: this great hunter invited Delpech in July 1975 to the Élysée for him. to interpret his title there during “Midi Première” by Danièle michel delpech francis cabrel, ecological Gilbert.
Animal tragedy – Michel delpech francis cabrel, ecological
Twenty years later, Francis Cabrel tackles an institution: bullfight. After attending a fight between the bull. his toréador in Bayonne, the singer of Agen quickly writes a title where he puts himself in the place of the excited beast, avoided and stabbed. There is the wait: “Since the time I have been waiting in this dark room. I hear that we have fun and sing at the end of the corridor. The fight: “In the first moments I thought it was only necessary to defend yourself. But this place is dead end, I begin to understand. “The defeat of one:” They struck hard in my neck so that I bow. “The victory of the other:” Tonight the woman of the bullfighter will sleep on her two ears. And the pain: “I hear them laughing as I groan. I see michel delpech francis cabrel, ecological them dancing as I succumb. I didn’t think we could have fun around a grave so much. “The refrain, repeated as a mantra,” is this world serious? »Editorializes the song. Each word is chosen with precision and folk-rock music with Hispanic accents illustrates this animal tragedy. A homily to the rhythm of a flamenco. We complete (very) well the bulls.
The two songs take sides, but not with the same degree. Cabrel plays the incarnation card, Delpech that of suggestion. The singer who disappeared in 2016 sines the lesson of John Lennon: “Imagine” is an anti-religious. anti-nationalist, anti-proprietary, anti-capitalist song but as she is coated with sugar, people accept it. “The hunter” prevails, because Michel Delpech is a warm voice, soft lyrics and soothing music. And above all: “It was good, it was great. »»
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