“Merlin attracts sympathy, and it touches me a lot”: Jacques Chambon, actor of the Kaamelot series is in Dinan this weekend [Vidéo]

Kaamelott made you famous in the role of Merlin. In addition, What can you look at this series and its films today, and its cultural impact? – "merlin attracts sympathy, it touches

The second part of Kaamelott is in finish, he must go out in the dining room on October 22. Consequently, It is an incredible adventure. Meanwhile, because it started from a very confidential short film, made with three ends of string and a little good will. Moreover, And it led to a series that is going through generations. However, This is what is incredible. However, We started in 2009, and despite the time, it continues to be broadcast, people continue to look at it. Similarly, Now, the children of the first fans have become fans in turn. However, It’s quite unexpected. Consequently, It is also due to the fact that Alexandre Astier has a great talent. Meanwhile, “merlin attracts sympathy, it touches He knew how to bring a very lively, very fun, very joyful writing.

The character of Merlin is famous. Similarly, I did not make me famous as such, but I am very happy that he has met at this point the membership of the public. Meanwhile, He is a character who attracts sympathy, it touches me a lot. In addition, I receive lots of hyperbian and affectionate reflections. He is funny, very staggering, imperfect. So he looks like us a lot. He looks a lot like me.

You are also an author and director. What does the theater bring you that television does not bring you? – "merlin attracts sympathy, it touches

For me, the theater is irreplaceable. This is really the place where I feel in my place. Contact with the public. the emotion of a live representation, in temporal continuity, is “merlin attracts sympathy, it touches incomparable in terms of pleasure and commitment.

Me, what I love in cinema or television is that we are a small element of a big machine. And when the machine is beautiful, when it works well, it’s absolutely exciting to watch it turn.

What I find great is to see all these trades climbing. interfere with each other to produce something that we have no idea.

The ramparts festival revives the Middle Ages in a festive way. Is it a universe that inspires you, beyond Kaamelott?

I really like old stones, visit castles, churches. When I was a kid. if I was asked when I would have liked to live, I would have said: the Middle Ages. Because there are knights, castles … It is an exciting time. but difficult to know, a little masked by the folk aspects that are lent to it.

I love walking in Dinan and seeing all the “merlin attracts sympathy, it touches costumed people. We feel that there is a real fervor, a real link with the city, which is wonderfully preserved. And more broadly, in Brittany, there is a very strong cultural anchoring around the roots. Here, it’s not just folklore or dressing: there is a beating heart.

Dinan is a city very marked by history. What do you feel in a framework that is also responsible for heritage?

There, I’m not going to play, but playing in Brittany is never trivial for me. First of all because I was born there. And then because we feel that there is a very strong relationship between the inhabitants. their land, their culture, their language. It’s something very significant, and I really like it.

You are Breton by birth, born in Vannes, with a strong cultural link to the Celtic universe. How does this rooting influence your interpretation of Merlin?

Yes, I am a native “merlin attracts sympathy, it touches of valves, but I only lived there for eight days! I grew up in Lyon, but I came back every year for the holidays, find my grandparents.

I think that when you attack a character, you have to forget yourself a little. Let the character’s sensations come from, from the situation, rather than go to the bottom of his roots. I’m not sure it would have served the role a lot. Alexandre asks us to play the text, the situation. And I find that he is right.

Afterwards, it is true that I have a special little delicacy to play an enchanting Breton. Because I spent all my summers here. And when I see a Karadoc of Vannes, I say to myself: I am a country of Karadoc.