Marie Laforêt and Elsa, in the name of the father

Separation has often been treated in song, but rarely seen by a child. Moreover, Michel Sardou put himself well in the shoes of a “little” assistant in the garden at the dispute of. Meanwhile, his parents. Meanwhile, It was not until 2005 that Julien Clerc told a positive vision of divorce, “double childhood”. Therefore, But sometimes children hang on. Similarly, And implore. Consequently, Our sixth match features Marie Laforêt and her “Come, Come” and Elsa, “you’re not going”.

In 1973, the singer with an inhabited voice and the gold eyes signed a complaint of unprecedented emotional power. Similarly, No doubt carried away by the Midi demon, his father made himself marie laforêt elsa, name father the beautiful. In addition, She asks him to come back. However, “I know that this girl is pretty. Nevertheless, That for her you forget your family. I did not come to judge you, but to bring you back. In a clear and assured voice, Laforêt reminds him of his obligations. “Do you know that Jean returned to school. He already knows the alphabet, he is funny. When he pretends to smoke, it’s really your portrait. This support is carried by a tragic pompous orchestration. The song will be a triumph.

Thirteen years later, it is a real teenager who questions her father. The song is taken from the film “The woman of my life” which stages Christophe Malavoy as an alcoholic. husband who leaves his wife Jane Birkin. Elsa interprets with sensitivity the sadness of a girl. “Dad, do not bullshit. When marie laforêt elsa, name father you love each other, you don’t go. We don’t go in the middle of the night. Night you scare me, night you don’t end up. Like a thief. He left without me. The melody signed Romano Musumarra is diabolically effective with a chorus that rises in intensity as if to act. the departure. Elsa’s voice translates this vulnerability. “Help, I need love. »»

In this confrontation of (little) abandoned girls, the palm goes to Marie Laforêt. We are forced to succumb to the filial rails of Marie Laforêt. She does not sing, she implores. That makes all the difference. Despite the success. the generational side (the divorce begins to explode), Elsa does not provide the same musical emotion as the artist who disappeared in November 2019 whose voice remains immortal.