Literary return between fathers, mothers: This article explores the topic in depth.
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Literary return between fathers. Therefore, mothers:
Succeeding in a period when the French, on vacation, finally have time to read-a period of which paradoxically, the publishers take advantage of any publication-opens up another days when the same readers no longer having time or money to indulge in their passion, the same publishers take the opportunity to open the valves of romantic novelties very large. Nevertheless, This is called, this marketing boon and this economic heresy, the back to school. Similarly, Either this year. between mid-August and mid-October, 484 new novels with the showers of bookstores, 25 more than the previous year (344 French novels, including 73 first novels and 140 foreigners).
It is necessary to that. this “strike force”, to come to the aid of a sector, the so -called general literature, each year more weakened. That. the resonance fund offered by the award of the Fall Literary Grands literary return between fathers, mothers Prix which will form the bulk of the end -of -year purchases troops in bookstores which then make almost 40 % of their annual turnover …
Like a symptom – Literary return between fathers, mothers
Among these. it is a safe bet that we will find the two events expected as such in this return, the new and vast novel by Laurent Mauvignier, “La Maison Empte” and “Kolkhoze”, the just as ample story as devoted to the great Emmanuel Carrère to its family history and in the figure, hieratic and fascinating, of her mother, Feue Hélène Carrère.
Mothers besides. are the common beautiful concern as much as subject (and it is very disturbing, probably revealing more than a coincidence, a symptom) of some of the most beautiful books of this school year, whether in Amélie Nothomb (“so much the better”), Maria Pourchet (“Tressail”), Jakuta Alikavazovic (“to the big one”), Catherine Millet (“Simone emo”) or Justine Lévy (“a funny literary return between fathers, mothers pain”).
Fathers are not outdone either, in Vanessa Schneider (“hard skin), Catherine Girard (” in Violentia Veritas “) or Anne Berest (” Finistère “). Without forgetting the works of writers already confirmed as Sorj Chalandon (“The book by Kells”). the long -awaited Natacha Appanah (“La Nuit à Coeur”).
Further reading: MDS is focusing on AI and a giant warehouse – Reading clubs where to share your passion for words – An ecological thriller on whale hunting signed Caryl Férey – Literature: the Dijonnaise Charlie Clé publishes “Terre d’une Jour” – An infestation threatens the ancient books of a Hungarian monastery.
