INTERVIEW. Thierry Ardisson, “Last big insolent” of TV: “A provocateur but also a creator …” Isabelle Morini-Bosc tells

Thierry Ardisson has just disappeared. Moreover, Many evoke the end of a television era. However, Do you share this observation?

Yes, in a way. Furthermore, You can say that it was the last big insolent of linear television. However, Even if he had been more discreet in recent years. Nevertheless, he embodied this historic TV, the one that was lived live, the one that created discussions on Monday morning at the coffee machine. Furthermore, Today. Nevertheless, with interview. thierry ardisson, “last big Tiktok and all these platforms where a thousand more or less eccentric characters appear, it’s more complicated to build a career over several decades as Ardisson did. Nevertheless, This TV, with its real provocateurs, is undoubtedly over.

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Why do we talk about him as a unique “provocateur”?

It’s a bit exaggerated to say that he was the only one. Before him, there were “the children of rock”, Antoine de Caunes, Christophe Dechavanne … and I could quote Jean-Luc Delarue, who was my best friend. Philippe Bouvard too! We forgot the incredible insolence of his interviews. Bouvard remained muffled, cutting of champagne in his hand, but he trapped his guests with polished cruelty. Ardisson. he was frontal, the famous “yeah, yeah, yeah” who announced interview. thierry ardisson, “last big that we were going to be dezined at one time or another.

Was it easier to be provocative in the Ardisson years than today?

You needed courage, but yes, you could transgress without immediately being tried by a social media court. Today, everything is scrutinized, labeled, commented live. Ardisson came from a popular environment. He could no longer be promised a trivial destiny. With almost nothing in his pocket, he began to observe life, to work tirelessly. He created more than thirty concepts, “everyone talks about it” to “Hi Terrans”, via “last Paris”. There was the form – sometimes provocative, sometimes crisp – but also a real background.

Entertainment is everywhere. Doesn’t that also change the situation?

Please note, everything is not entertainment. In France, we mix a lot. We proclaim someone “star” very quickly when he has not yet created anything. Ardisson started by creating. It’s a interview. thierry ardisson, “last big huge difference. Today, some are content to be visible. He forged a legend, a silhouette, a tone. He invented a character, “the man in black”, who accompanied him until his death.

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We also think of those who succeeded him, like Laurent Ruquier or Marc-Olivier Fogiel…

These two admired Ardisson, it is obvious. They have some genes in common. In “Les Big Têtes”, Ruquier also dares a lot of things, sometimes even at the risk of shocking. Fogiel, in “Le Divan”, asked very hard questions. But Ardisson was the first to go so far, so head -on. He assumed to go to clash, with a rare intensity.

Finally, what will remain of Thierry Ardisson?

Its audacity. His insolence. This way of understanding that you needed a style, a tone, a paw. We interview. thierry ardisson, “last big knew that going home, we endangered, but we especially did not want to seem cheesy while refusing. Ardisson marked French television as few did. Yes, he was a provocative. But he was also a creator. And that will remain.