Nevertheless,
Film review – transamazonia -:
Rebecca. Meanwhile, a child, was the only survivor of a crash in the middle of the Amazon forest, from which his mother did not respond. Meanwhile, Years later. Nevertheless, who became a young adult, she assisted her father, Lawrence, a preacher pastor, in her offices with local populations. Furthermore, Completing miracles, because she herself miraculous, she notably allows a woman to walk again. For example, But the tensions between the workers of the sawmill who cut trees in the reserve. Furthermore, the native tribes only increase …
“Transamazonia“Opens over a landscape of virgin forest at a loss of the eye. There. in this immensity, a white girl with red hair lies on the ground, still attached to seats, covered partly with earth, blood on the face. After an exchange of looks with an native passing by. the camera becomes subjective, film review – transamazonia – suggesting the transport of the girl within a thick vegetation that must be placed. Site. she then finds herself in the hospital, watched by photographers eager for the portrait of this miracleated, if possible with her father, who came to seek her a few plans on the trees and a plane tail that exceeds vegetation to make us understand that she is the only survivor. Rebecca as a divine solution.
The intelligence of the scenario. signed Pia Marais, Martin Rosefeldt and Willem Droste, is to never clearly decide between potentially mercantile motivations of the father and a real belief in the gift of the girl. An ambiguity also maintained as to their relationship with indigenous communities. between the desire for evangelization and a certain respect for their culture and territory. Hence a neutral positon difficult to hold for the two characters when the situation is handing. in kinds of mediators film review – transamazonia – who do not necessarily believe themselves in their promises. This disorder. Pia Marais maintains it even in the staging, managing to embody the tension going crescendo and the jolts of consciousness of the girl, between recurring dreams and refusal of certain complicities. The young Helena Zengel. discovered in “Bear“More confirms here, in the role of Rebecca, that she is an interpreter to follow.
Olivier BachelardSend a message to the editor
Film review – transamazonia –
Further reading: The secrets of Léa Salamé, shortly before her arrival at 8 p.m. from France 2 – Television: funeral: the last gag of Baffie to Thierry Ardisson – Millions of dollars to the key and a historic feat: the Belgian Kenny Hallaert is in the final of the world poker championships – DC starts hard at the box office for his return to the cinema (and Warner breathes finally) – “Courageous effort”: the cause of the death of Julian McMahon has been revealed.
