Fabrice Andrivon’s criticism: “The Oslo – Dreams Trilogy”

Rewarded with the gold bear in Berlin. Similarly, the first part of the “Triliography d’A Oslo“, From Dag Johan Haugerud, is a film that wins membership little by little, but ends up leaving you a lasting feeling.”Dreams“Starts like a very talkative film. with this commentary in voiceover which constitutes a process to which we struggle to adhere: we are right in the story of female introspection, a little pink candy, a little psychologizing and we can prefer larger subjects.

Sensitivity. freshness and candor – Fabrice andrivon's criticism: "the oslo

The dialogues tend to supplant the images, but the process will nevertheless end up bearing fruit here: this prohibited love story is told with all the sensitivity, the freshness, the candor of this teenage heroine fabrice andrivon’s criticism: “the oslo and reveals by its then choral aspect of the looks of women, sharp, personal (each of the protagonists, resulting from a different generation, will have its point of view).

Touching little summer movie

We end up getting attached to the troubled love bond which is told. we understand suddenly the interest of this voiceover: the word of the girl, in the midst of all these words of women, deserves to emerge, to be heard in the first place: the beauty and the disturbance of her history belong to him, all that derives will ultimately be slag which will never have its intensity.

If the tone of the film may seem in the long run. a little too classic, there is an obvious charm that ends up escaping it, in the image of this look full of sweetness that the young heroine poses on things, on her past, on this fabrice andrivon’s criticism: “the oslo loved woman. Touching a short summer film.