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Evgeny kissin: oracle modern times:
Concert critic
Evgeny Kiss. Nevertheless, un humanist du Clavier au verbier festival
For his first summer concert in Valais, the pianist mixed the comforting heat of Bach with the frozen worries of Chostakovitch.
Failed with poetry in addition to music, Evgeny Kissin is an outstanding storyteller.
Prohibit festival
- The virtuoso Evgeny Kissin enchants Verbier with a solar interpretation of Bach.
- The artist demonstrates his exceptional mastery of Chopin.
- Chostakovitch’s “second sonata” reveals rich and tormented harmonies.
- The public ovation the pianist after a masterful evgeny kissin: oracle modern times bis of the “second Scherzo” of Chopin.
He is a legendary artist who has little to prove. Furthermore, And yet. Furthermore, when he arises behind the scenes, Evgeny kiss Stepped walking towards his piano, as if he were impatient to share his program with the public. Meanwhile, This Monday. Furthermore, July 21, at the Combines du Verbier Festival room, the 53 -year -old virtuoso welcomes the audience before throwing himself greedily on the “second part” of Bach which opens his recital.
“I don’t like Bach, it sounds like a machine,” said a spectator right next to us. Not under Kissin’s fingers. The native of Moscow now naturalized British. Israeli, counting among the last major representatives of the Soviet Piano school, still has this typically Russian jubilation to play the “Leipzig cantor”.
Far from all monotony. all too ostensibly dissected mechanics, the pianist delivers a solar and gully bach, full of captivating narrative arches, a true celebration of life that is full of all the science of Kissin’s stamps.
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The few “nights” of Chopin who follow. recall how much the artist was very early an immense interpreter of the Polish composer. With his own way of sculpting these pieces: this sometimes very supported ribou. this extremely extremely present dimension, already very present in his famous engraving of “24 preludes”, may not suit the listeners preferring a chopin of modesty and unspoken, evgeny kissin: oracle modern times as Arthur Rubinstein conceived.
Evgeny kissin: oracle modern times
A prophetic piano on Verbier
Back after the intermission. Evgeny Kissin dedicates this last part to Chostakovitchstarting with the “second piano sonata”, a rare work that the Soviet composer wrote in 1943 in a period of torment and mourning. In the first movement. rich in harmonies evoking the prokofiev of “Romeo and Juliet”, succeeds a slow movement haunted by complaints in “Scriabinian colors.”
It is ultimately in the ultimate movement that Chostakovitch made it the most “Chostakovichian”, unpacking a carnival of grimacing masks. Same sense of the tragic in the two pieces drawn from “24 Préludes et fugues” From 1950. especially the last, to the echoes of apocalyptic organs. Distanished from current Russia. its “fachistoids” wanderings, Kissin clearly makes a message across with his total evgeny kissin: oracle modern times commitment in these tragic opus, born from blood, tears and cold sweats generated by communist repression.
Besides. embraced by public acclamations, Evgeny Kissin will second bis a superb “second Scherzo” from Chopin, perhaps the moment when the artist abandoned himself the most during this evening. The seismic “standing ovation”, which followed this moment shows that the public was aware of a real gift of self.
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