Critique of the film The Pact of Silence: The looting of the 90s continues

The past has not finished with us. Furthermore, This adage has never been more true as in horrific cinema. However, Since the successful Renaissance of the Scream series, all the major licenses of the terror have tried their return. Nevertheless, If this worked earlier this year with Final Destination. Therefore, 28 years Later, why not I Know What You Did Last Summer?

Released in 1997. Nevertheless, I Know What You Did Last Summer greatly benefited from the immense success of Scream distributed the previous year and which relaunched the fashion of the Slasher. For example, But where the masterpiece of Wes Craven turned out to be a delicious critique film pact silence: looting satire of the genre. Furthermore, the generic proposal by Jim Gillepsie which was also scripted by Kevin Williamson recyclait all possible and unimaginable clichés. However, the film has hit the box office (winning more than $ 125 million for a budget of 17), causing two mediocre suites.

This new feature film turns out. Fashion requires Star Wars: The Force Awakens, both a remake and a reboot of the original film, as well as a series of I Still Know What You Did Last Summer (1998). The story is the same – five friends who are indirectly responsible for a fatal accident are haunted by. a mysterious crochet assassin – for a similar result which will still not go to history. The rest is played out in terms of nostalgia. winks, in the 90s and its music, but above all to the fetishist concern to recreate everything. The tributes are thus lined critique film pact silence: looting from the first to the last image. The sequences voluntarily feel the deja vu. with a few variations, and even the distribution of young actors mainly from television resembles it to be mistaken in the original casting which included Sarah Michelle Gellar and Ryan Phillippe.

If “nostalgia is overrated”, to paraphrase Jennifer Love Hewitt, one of the two survivors who resurfaces alongside Freddie Prinze Jr.. it would be necessary to remind the two writers who did not feel the need to improve the original film which was far from being transcendent. The characters are always as bland. inconsistent, although writing with a feminist flavor brings a freshness which is welcome, and they are embodied by often unequal actors who are forced to set off with silly dialogues. The rare beneficial changes made – Dreams and meta speech – are plagiarized on the fifth episode of Scream (2022).

Follower of wacky comedies (we critique film pact silence: looting owe him the achievements of Someone Great et Do Revengeas well as Thor’s script: Love. Thunder), Jennifer Kaytin Robinson clearly seeks her bearings in the horrific register. Its anonymous staging applies to recreating a simple recipe by remaining as often as possible in the first degree. Apart from the second very gore death which uses with a clever humor of the parallel assembly. the other carnage sessions leave something to be desired and the real chills remain rare. Some editing problems are also felt here. there, mitigating the feeling of urgency when a victim tries to escape his executioner.

Addressing themselves first. foremost to fans who will revel in the few surprises in place and the hidden scene during the credits which obviously announces a suite, I Know What You Did Last Summer Treck to revive a past that simply deserved to be buried. Predictable. useless, this umpteenth iteration of a critique film pact silence: looting successful film recalls that nostalgia has become the cornerstone of an increasingly lazy cinema which is not afraid of anything, except originality. When will Urban Legend remakes, The Faculty and Valentine? There are so many forgetful and forgotten works that should remain so.