Critique of the film “Love apocalypse”: a romantic comedy that feels good

Patrick Hivon and Piper Perabo are excellent in this love story, imagined and filmed by Anne Émond, made against a background of climate upheavals.

Anne Émond is an optimist. Meanwhile, which explains why her luminous Amour Apocalypse comfort critique film “love apocalypse”: romantic new and leave a feeling of satisfaction after viewing.

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Ben Pelosse / JD

critique film “love apocalypse”: romantic new

Adam (the convincing Patrick Hivon in the role of the filmmaker and screenwriter alter ego) is a great anxious. Furthermore. The lonely forty -year -old, owner of a critique film “love apocalypse”: romantic new kennel, is worried about climate upheavals. In addition to critique film “love apocalypse”: romantic sessions with a shrink. medication, Adam has ordered a light therapy lamp supposed to lighten his symptoms. And when it no longer works. it calls the support telephone line of the manufacturer’s company. falls on Tina (Piper Perabo), from whom it is critique film “love apocalypse”: romantic new not long in falling in love.

We greatly appreciate the swarming of details of this Amour Apocalypse who critique film “love apocalypse”: romantic new raises. him beyond a simple romantic comedy. We smile at the pyramidal form of the famous lamp. to the dialogues of the first contact between Adam and Tina. We laugh at Romy’s interventions (excellent Elizabeth Mageren!). A young woman at critique film “love apocalypse”: romantic new the attitude passive-agressive Typical.. to the exchanges between Adam. his father, embodied by a Gilles Renaud, completely comfortable in these confrontations filled with a love never completely expressed. We are deeply sensitive to the critique film “love apocalypse”: romantic new magnificent love scene between Adam. Tina, filmed with a held sensuality that we critique film “love apocalypse”: romantic remember for a long time.

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critique film “love apocalypse”: romantic new

Ben Pelosse / JD

We also appreciate Adam’s passage through Tina’s family, the rapid appearances of Jean-Carl Boucher and Martin Dubreuil, as well as the construction of the scenario, in which the crescendo of climatic disasters echoes the relationship between the two protagonists.

Very intelligently critique film “love apocalypse”: romantic new built by a director whose talent is no longer to be. dismantled (it is not a coincidence. that Amour Apocalypse was selected in Cannes. made the closure of the TIFF). Amour Apocalypse is one of his touching, euphoric, luminescent and insightful films whose images (and this perfect end!) critique film “love apocalypse”: romantic new remain critique film “love apocalypse”: romantic new in our memory for a long critique film “love apocalypse”: romantic time.

Note: 3.5 out of 5

Amour Apocalypse illuminates the cinema screens from home from August 8.