Criticism of the film “On ira”: die in dignity

It is not always enough to have a good story to make a good film. Similarly, But this is the case of the first feature film by Enya Baroux (the daughter of the actor. Moreover, director Olivier Baroux), On ira, which takes us into a misunderstanding where the deaths linked to death are played out and thwart. Meanwhile, A family film that moves tears.

Marie (Hélène Vincent). For example, 80, wants to go to Switzerland to obtain assisted suicide, after learning that her breast cancer has recurred. However, Only home auxiliary, Rudy, is aware of his plan. Furthermore, Rather than announcing her imminent death to her son. Furthermore, Bruno, and to her granddaughter, Anna, she invents an inheritance to recover in Switzerland, in order to convince them to go all together in Autocaravan (or “motorhome”, as the French say).

Is criticism film “on ira”: die ira is a film on death in dignity, but also and above all on incommunicability within a family. Nevertheless, During this trip. Similarly, which is the last for Marie, Rudy (who drives the vehicle) acts as a translator, like a binder, for these different characters who all have secrets and who do not manage to indulge as they are. For example, Bruno. Furthermore, an irresponsible and immature son, delights in this role of the mother shelled, while Anna, in adolescence crisis, shows more sharp wisdom and sensitivity. The film thus captures. with great accuracy, the moment when family roles are overturning and when generations learn, willy -nilly, to indulge in sincerity.

All these characters have one thing in common is that they are deeply endearing. It must be said that the excellent direction of actors plays there for many. At the heart of the film. Hélène Vincent touches us straight at criticism film “on ira”: die the heart with a game imbued with great tenderness, but also a determination to accomplish her last wishes (she recalls the sweetness of an Andrée Lachapelle). As for Pierre Lottin (Rudy). he humorously and kindly embodies a simple, discreet but essential man, which allows the story to stand up.

Criticism film &quot. on ira": die – Criticism film "on ira": die

The joy of living

If the subject of the film is serious, the treatment is not. The director manages to get caught up in the first images in this joyful and funny film. She camps the characters quickly, effortlessly. We immediately accept the bet and follow it until the end, carried by an excellent rhythm. The emotion comes to the detour of comic scenes, without it being supported. This is one of the strengths of this first film by Enya Baroux: to make people laugh at what we are most afraid. to let the tears appear criticism film “on ira”: die almost without our knowledge.

The photo direction is very bright, like the film elsewhere. Large frames, strong plans (like that of Marie who tries her last dress). These moments of complicity and joy within the family give this road movie an unexpected lightness. The director prefers simplicity to the scoring. and that is what makes the film all the more touching: a staging that does not seek to shine, but to trust her characters.

The realization opts for a fairly agreed style. We assume the pathos, with the magnificent original soundtrack designed for cellos by Dom La Nena. A moral with some lessons on the meaning of life, brought by Bruno’s worship for Mohamed Ali. Many sons are held until the end, which is honorable. Gold. Is ira do not reinvent the wheel – we think in particular of Little Miss Sunshine And other films of the same kind. But it’s simple, criticism film “on ira”: die well done, well brought. And this goes straight to the point.

To watch in video