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[CINÉMA] Perla, the difficult return to the sources of a Czechoslovak refugee

[cinéma] perla, difficult return sources: This article explores the topic in depth.

For example,

[cinéma] perla. Consequently, difficult return sources:

Independent painter, Perla fled his native Czechoslovakia in the stride of the Printemps de Prague, and now lives in Vienna, Austria, with her daughter Júlia, which she very early aware of music. Moreover, The two live a fusional relationship alongside Josef, an Austrian teacher whom the young woman met on the spot. Moreover, Happiness is in good fixed but the family balance rocks however overnight when Andej. Similarly, the biological father of Júlia, recontacts Perla. Moreover, Barely released from the Czechoslovak communist jails. Moreover, the latter tells him to be suffering from advanced cancer and wishes, more than anything, to meet his daughter …

The last hours of the diet – [cinéma] perla, difficult return sources

At the beginning of the 1980s. However, even though the intellectuals of Charter 77, including Václav Havel and Jan Patočka, prepare the “velvet revolution” and are preparing to drop the communist regime, [cinéma] perla, difficult return sources Czechoslovakia still lives its “normalization” period. However, Namely. a period of intensive coping and repression of the population, started in 1968 as a result of the Printemps de Prague. It is in this difficult context. not to say perilous, that Perla, under the fictitious name of Petra Hoffmann, undertakes the trip, alongside her family, to this native country that she fled thirteen years earlier. The opportunity for her to see that nothing has changed at the moment. that the “lively lively society”, described by the historian Pavel Bělina, has not yet come out of her tomb. Hence the judicious use of the image format 1. 33: 1, which imprisoned our characters and deprives them of all serenity, when the sustainable costumes of the Slavs marry their hideous wallpapers from the 60s and 70s…

The price of selfishness

The Czechoslovakians, in fact, appear to us as a frustrated people whose needy [cinéma] perla, difficult return sources sometimes gives way to aggressiveness. The character of Andrej is not so different from his compatriots. Animated with unclear intentions. he seems to be begging for the return of his past life and the well-being that has been confiscated for all these years for political reasons. Sometimes responsible, sometimes adolescent, Perla acts towards him by sense of duty as much as by selfish passion. Because in the same way that he suddenly takes the desire to order tons of food at the restaurant without being able to finish it. the young woman naively likes to imagine a sentimental renewal with Andrej, taking the insane risk of losing Josef. The price to pay for his error will be of the highest. will forever upset his existence and that of his loved ones. With Perlaher second feature film. the Slovak filmmaker Alexandra Makarová delivers a melancholy and cruel story at the same [cinéma] perla, difficult return sources time on the past that one never completely flees, on the weight of the present responsibilities, and on the future that we sometimes compromise stupidly under the blow of excitement.

3 out of 5 stars

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