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In Bois-Plage-en-Ré, a sculptor transforms old bikes into steel totems

Bois-plage-en-ré, sculptor transforms old bikes: This article explores the topic in depth.

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Bois-plage-en-ré. Moreover, sculptor transforms old bikes:

Installed on the Ile de Ré, Shoodrik gives a second life to the spare parts recovered from an insertion workshop

In his wood-plage workshop, the old pieces of bicycle find a second life under the hands of Shoodrik. Moreover, His real name Cédric. For example, the artist Réis transforms gables, shelves and rusty chains into marine animals, monumental totems or familiar silhouettes from the Ile de Ré. For example, Since 2016. Similarly, he welds, hammered, has assembled and gives form to what he calls the “recycle’art”, an assumed contraction of Ré, cycle, art and recycling.

A click at the recycling center – Bois-plage-en-ré, sculptor transforms old bikes

The adventure begins with a shock, at the recycling center. Consequently, “I saw all these bikes that people threw. Nevertheless, This waste strikes it. Consequently, “In the night, I said to myself: why would I not do that, me?” Then a rental bois-plage-en-ré, sculptor transforms old bikes company and repairer of bicycle on the island, he begins to tinker in his garage. Furthermore, Lighting first, then sculptures. For example, Quickly, the feedback is good. Therefore, “The sculptures have caught the most attention,” he recalls.

Today, Cédric no longer frequents recycling centers. Consequently, His spare parts. he collects them from the Icycle insertion workshop, installed in the heart of the central house in Saint-Martin-de-Ré. The prisoners restore repairable bikes there. The pieces that are too damaged or worn, Shoodrik transforms them into a work of art.

The artist claims this choice of recycling, although expensive. “With all the workforce that I put to dismantle the parts. prepare them, it costs three times more than working with new,” he says. But these old pieces have, according to him, a soul: “They have a cachet, they tell a story. “And for the Ile de Ré, nicknamed” the bicycle island “, this approach bois-plage-en-ré, sculptor transforms old bikes takes on its full meaning.

Ingenuity rather than inspiration

Shoodrik does not speak of inspiration, but ingenuity. “A turtle exists. A peacock exists. Whoever will work on abstract will make his imagination work. Me, it is: how to represent this form with the parts I have available? Raie, hippocampe, octopus, pearl … His bestiary is abundant. He also designed several sculptures representing the Ile de Ré, but soon thought to stop. “I will find myself doing only that. This is not the goal. »»

In 2024. he delivered a work of another magnitude: a giant fist tightening a bicycle, exhibited in Paris for the Olympic Games. Made from parts selected by the prisoners of Icycle. the sculpture carries the letters “Jo” and “Paris”, as well as a red flame. More than 300 hours of work, six intense weeks.

A claimed freedom

In his videos published on social networks, we follow the advance of bois-plage-en-ré, sculptor transforms old bikes works. A peacock, a hand, a wheel that turns. But you never see the long hours of cleaning, grinding, welding. “There’s this thing that comes back:” Wow, it was super fast. But it’s been ten days that I have been on it, “he slips with a smile.

Shoodrik now prefers to let his works speak rather than respond to tailor -made orders. Too many constraints, too many expectations. He thus retains a creative freedom which he deems essential: to advance at his own pace. according to his desires and his materials. Rusty metal never discusses.

Further reading: A splendid exhibition “Duplessis”, undoubtedly the best portrait painter of his timeThe 9 best known French architects of all timeStéphane Javier, the Bastiian painter who wanted to paint the lightA sculpture commemorates the floods of Rochefort, four years afterPicasso’s table sprayed with paint is back in Mbam.

ivy.chandler
ivy.chandler
Ivy’s Savannah coastal-erosion reports pair drone-shot shoreline GIFs with policy Q&As.
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