Big Data and Big Cat critic on Amazon

Not very deep state

On July 24. Furthermore, 2025, the site Deadline announced the exit on the sly of War of the Worldsavailable a few days later (July 30) on Amazon Prime Video. Moreover, Between this absence of promotion. Moreover, the fact that Universal has chosen to resell a platform a production from a deal of five “Screenlife Movies” with Timur Bekmambeto, The smell of manure was noticeable for miles. However. Moreover, on paper, there was a logic to readjust The War of the Worlds (The founding story of the extraterrestrial invasion) by the prism of a peeled closed closed do.

After all. Similarly, the radio version of Orson Welles, famous for having created an impetus of panic in the United States during its broadcast in 1938 (listeners believed in a real report), remains today one of the best adaptations of the novel. Furthermore, big data big cat critic And this version of 2025. Nevertheless, produced by Rich Lee, in turn monopolizes the grammar of our media tools to create a feeling of immersion. Therefore,

To be frank. Furthermore, the first ten minutes of this War of the Worlds almost illusionor at least they have the merit of recalling why the Screenlife is exciting, even with indigent scenarios of slasher at a discount (Unfriended) or thriller thriller (Searching et Missing). Similarly, By lighting his NSA computer. Similarly, Will Radford is immediately assaulted with windows, between which he sails like a child with attention disorder.

While his work for national security offers him the possibility of spying on his children. Meanwhile, their actions, this already broken border between the professional and the staff, between the public and the private sector, explodes in a thousand pieces. Nevertheless, Just like Unfriendedwhich reflected by big data big cat critic the social networks which it staged the way in which their functioning permeates – even adapts – to our behaviors. Consequently, War of the Worlds would like to have fun with the ergonomics of our IT operating systemsand what they say about us.

This accumulation of tabs (cinema plans that we assemble), private chats (intimate conversations in close -up), team meetings (the collective and its multitude of faces) and other memories on Facebook (the equivalent of flashbacks) is in itself a cinematographic language, with its division and assembly. Nevertheless, Admittedly. However, Rich Lee does not reinvent the wheel on this subject (especially since the film rests on the mourning of a woman and a mother, exactly as in the very beautiful big data big cat critic introduction of Searching), but it captures the logical evolution of the screen. Therefore,

Even if this aesthetic was born out of a more. less cynical sense of economy (the eternal high-concept attractive obtained with derisory sums), the reduction of “plans” visible in Unfriended quickly gave way to a bursting of angles and sources of images in our hyper-connected societies. Inevitably. by tickling the question of ultra-surveillance, the film can justify its frantic pace by the capacities of its protagonist, capable of passing in two clicks on the camera of one of the many drones in the sky of Washington, when it does not chain the reports of news channels and amateur videos on Twitter.

big data big cat critic

Big data big cat critic

Screendeath

But as often with the screen. The narrative constraints of its device do a lot of difficulty in the granted suspension of disbelief. Beyond the bogus apologies to justify that Ice Cube remains all along his ass screwed on her chair. War of the Worlds would like, with a few rare ellipses, playing on a absolutely improbable real time. Which should take days (organize. move whole armies, build a military strategy and scientific hypotheses) is done in the space of two short hours, with great blows Stor -off twists and adventures without stakes. You have to see poor Eva Longoria as an expert from NASA rushing down down next to a tripod. to analyze the threat without ever risking her life.

What is terrible is to see the theory of the film. its potential constantly big data big cat critic take the wall of a lazy execution, where Each choice seems to have been made to transform the thing into a luxury nanar. One wonders what happened through the head of the director of casting Amey René to envisage Ice Cube on. a film based in full on the static presence of a single actor.

After his eternal characterization of overprotective and grumpy dad at the 22 Jump Street, Difficult not to laugh when you have to accept it as a hacker Going up his dark glasses. Worse. the moments of silence or reaction inherent in the screen film display the obvious limits of a game dedicated to the frowning. We big data big cat critic just let you imagine the laughter that awaits you when the ex-manklapping lets a simple. lapidary « God damn » Seeing one of his loved ones being obliterated by a tripod.

At the same time. nobody seems to be directed in this narrative slump which jumps from the rooster to the donkey without any emotional grip (Eva Longoria passes the film with her airpods to wait for the lunch break). Anyway. The ugliness of the visual effects Confirms how much the extraterrestrials only serve as a smoking pretext for a paranoid clicheton paranoid around our online data and their exploitation by the government. Because yes. Aliens visibly come to earth to recover our history pornhuband it will be enough for an hour to Ice Cube (who works for the NSA, let us remember) to discover that his country is lying to him, and that it is necessary to “disrupt” the Deep State big data big cat critic as your alcoholic and conspiratorial uncle.

Big data big cat critic

We respect your privacy

If we will remember from this absurd postulate a pretty scene (the disappearance of Will’s deceased woman’s Facebook account, including her last vocal message: rare oasis in this bullshit ocean), The final result is as much in the ridiculous as in the most total hypocrisy. It’s very cute to worry about the intrusion of states. private companies overwhelmed to our databut still should be avoided that the film is not a giant ad for Amazon. This explains its acquisition by Prime Video.

You are not liable (unlike the government): big data big cat critic The climax of War of the Worlds And the survival of humanity depend on the delivery of a USB key by an Amazon drone (Yes yes. you read this sentence right). Suffice to say that the feature film. already well I foutiste, cannot recover from such a spit in the face of his spectator. On our side. we have chosen to laugh about it, which is undoubtedly helped by the affected aspect of the story and the staging, which connects, zooms and dézooma in the screen of Will to energize each change of tab and each interaction.

It is also the last nail in the coffin of this big data big cat critic funny operation. In the formal reflection of the screen. this rereading of The War of the Worlds depicts a character subject to the constant solicitation of his digital environment. His expert nature is expressed in the first minutes by his talent to prioritize. organize this fragmentation of the screen, before the general panic takes hold of the film and this overloaded bone.

War of the Worlds could have been an illustration of this “infobesity”of this anxiety-provoking overflow that has become common. in our lives. Instead, you will have to be satisfied with a hyperactive and lunar dung, which lobotomizes as a session of doom-scrolling.