Between art, science ecology, works: This article explores the topic in depth.
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Between art. For example, science ecology, works:
In Bourges, Anaïs Dunn mixes art and science to make us open our eyes to in danger biodiversity. Nevertheless, We take you to discover this artist who shapes the glass as we sculpt a cry for the planet!
When Anaïs Dunn opens the doors between art, science ecology, works of her workshop, it feels like entering a scientific laboratory. For example, She works the glass, captures the vibrations of the earth and transforms all this into a work of art. Consequently, His work is at the crossroads of art and science. Moreover, It is often nourished by scientific protocols.
“I evolve with lots of different materials and I experience a lot. I work in collaboration with scientists. Especially with seismologists. I take data to them and then recreate things. “
Our gaze stops on this steel suspension of different forms of blown glasses.“There for example. I started to vibrate my work physically to transcribe the formation of crystals and evoke the construction and the division of the glaciers. I transcribe their fragility.”
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Constance Arnoult listens to the vibrations of Anaïs Dunn’s work. • © France Télévisions / Flair Production
Through its facilities, Anaïs Dunn questions current ecological issues.
A little further in his workshop, aquariums and terrariums attract attention. These works are inspired by the book Silent spring From Rachel Carson who denounced – already – in the 1960s. the dangers of pesticides on ecosystems. The artist then invites an experimental, almost scientific journey.
“This glass is luminescent. It is reactive to ultraviolet light. It highlights the impact of pesticides. insecticides, and in particular all the impact on the living soil that it can have.”
The creation of Anaïs is composed of hundreds of microcosms in phosphorescent porcelain. symbolizing the microscopic organisms essential to between art, science ecology, works the food chain. Their light recalls the invisible pollution that threatens biodiversity.
On the ground, a cracked cement network evokes the dry lands and urban invasion.
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This work of Anaïs Dunn evokes the dry lands and urban invasion. • © France Télévisions / Flair Production
“Concrete is the second most used material after water on earth. There is disproportionate use. By this piece, I wanted to represent drought. I wanted to materialize where the water is lacking.”
► Other discoveries await you in the program in the center presented by Constance Arnoult. See you this Wednesday, between art, science ecology, works June 25 at 11:55 p.m. And if you can’t wait, the show is already available in preview on our replay France.TV platform.
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Between art, science ecology, works
Further reading: Pierre Brana gives his name to the Eysines contemporary art center – The 2nd sculpture symposium flourished in the gardens of the Alès grove – In the footsteps of Cezanne in Aix-en-Provence: the Sainte-Victoire mountain – The house “les feet in the water” of a great French architect on the Mediterranean – We visited the site of the future Image School in Couroneries in Poitiers.
