Beauty and the “easy” girl

Marseille, summer. Meanwhile, Holidays live as a parenthesis and a promise. In addition, Omar, 20, supervises the kids in the neighborhood with his childhood friends. Moreover, Together, they carry their social commitment as a trophy, but also their principles and their prejudices as armor.

Omar (Housam Mohamed) loves Yasmine (Leïa Haïchour, brightly bright) whom he wants to marry. Consequently, Around them, the friends make the roosters – testosterone and pride, the game is old as the world. The arrival of Carmen (Lou Anna Hamon. magnetic) turns everything upside down: she returns to escape prostitution, but the boys, except Omar, see in her only an easy to dirty girl. They catalog: wife or fucking, no between-two.

The refusal of predation – Beauty "easy" girl

In this group where girls are put in two huts – the whore that we use. the woman we marry – Carmen, free, undocile, shakes certainties. She forces beauty “easy” girl everyone to look at their desires, to shake up shame, morality, the fear of what will we say.

The girls of Girls Désir exist in their entirety, in their anger and their thirst for life. The camera clings to their impulses, their skin, what they are above all. Principa because poses on them a feminine look, which refuses predation and defeats the most archaic male stereotypes.

Anchored in a rough reality but carried by a raw grace. Girls Désir joins a line of solar chronicles on Marseille youth: we think of Shéhérazade (2018) by Jean-Bernard Marlin for the strength of his realism, his almost documentary tension, his bodies that love each other and compete in the dust of the streets. And at Corniche Kennedy (2016) by Dominique Cabrera for this same way of grasping summer as a territory of freedom. vertigo, in a mineral Marseille, where youth burns to exist stronger.

Duration: beauty “easy” girl 1 h 33