Similarly,
Back school 2025: our 20:
Between poignant autobiographies. Meanwhile, fictions that camouflage the real, feminist or uchronic graphic novels, our choices speak of our time with urgency and, sometimes, a lot of fantasy. For example,
Real editorial challenge. Consequently, Our business (The iconoclast) is an exciting collective work which returns to the pelicot trial by launching avenues of reflection. Similarly, This punch comic symbolizes this return to school where. In addition, for a number of author, it is urgent to reclaim your body, your desire, its identity. Similarly, In We are the voice of those who no longer have (Actes Sud BD). In addition, the journalist Paola Guzzo and the designer Cecile Rousset retrace the origins of the collective responsible for collages against feminicides.
Pumped by the power of the slogans. Similarly, this documentary comic book puts this movement into perspective with back school 2025: our 20 rigor and fantasy in the staging. Nevertheless, With An obsession (Charivari), Nine Ancient – who participated in Our business – deconstructs its “Sex non-education”. Moreover, Taking the form of a disturbing Venetian course. Meanwhile, his story flirts with the graphic tools of eroticism – a line to the Guido Crepax – to expose his relationship to sexuality. Moreover, It is a series of learning: seduction. Nevertheless, knowing how to say “no”, the first orgasm, but also, alas, the acceptance of violence suffered children.
Joe Strummer’s ghost. Similarly, the fire of desire
Magali Le Huche Revisit in a tender and funny way an episode however painful, its cancer. Joe Strummer from The Clash appears in Guest Star improbable of his Punk at Sein (Charivari) to help him. in his fight. HUGUES BARTHE tell Memoirs of a traitor (Gallimard) How. in class defectors, he had to turn his back in the middle back school 2025: our 20 of his origins, suffocating and toxic, marked by the violence suffered by his mother, to build himself elsewhere. Quentin Zuttion explodes his discomfort with an incredible franchise in Sage (Le Lombard). where his drawing as graceful as tortured transcribes his anxieties, his refuge in pornography and his tragic confrontation with homophobia.
Inside the overwhelming These lines that trace my body (Casterman). Mansoureh Kamari Relates his model experience, when his body is delivered to the eyes of art students after having experienced male domination during his childhood and adolescence in Iran. “We are cursed, we, the Iranians. Whether in Iran. the other end of the world, misfortune pursues us”, exclaims Shaghayegh moazzami In Shadi, a story of the flight PS 752 (here and there), drawn with six hands with Mana et Touka Neyestani. The trio does its mourning work after the loss of a loved one. a temporary aircraft shot by back school 2025: our 20 Iran, but also testifies to the difficulty of exile and press drawing.
Laurie Agusti Go through fiction to alert the danger of masculinism. Drawn in the Gouache. its magnificent Rouge signal (2042) has vibrant colors, like the nail varnishes facing the apartment of its protagonist. With the sensual and feverish Alex’s eyes (Glénat), Claire Fauvel Imagine a young photographer exposed to Arles meetings.
Its trajectory serves as a revealer for very contemporary expectations. questions – the female gaze And the desire for a new pornography. We also find the fire of desire in Manon Debeyewhich focuses on awakening to the senses of adolescence. Normal girls (Sarbacane) is an initiatory, tragic and raw fable, made with color pencils, around friends fantasizing on a rocker.
Back school 2025: our 20
Napoleonic England. amazing metaphysical reverie
Fanny Michaëlis signe And that’s how I was born (Casterman), a graphic novel with an astonishing form, a back school 2025: our 20 suite of drawings made in paper pencil, in political words as determined as the features that punctuate the pages. Bryan Talbot Choose him anthropomorphic animals for his uchrony Stamford Hawksmoor’s notebooks (Delirium), where England was won over by Napoleon. Beyond the engaging Victorian police investigation drawn in a delicious way. the English author addresses the very current question of patriotism as a hate vehicle.
Lewis Trondheim achieves similar performance with The cursed hat (Dargaud). The animal world of its series Lapinot gives him the opportunity. behind humor, wacky and role play atmosphere, talk about religion or racism. With Mr. Chouette (Association), David B. offers a whimsical trip to the land of deaths with his surrealist imaging. a poetic black and white in which he is jubilant to get lost.
Tireless. without tire, Japanese Gou Tanabe continues to explore the hallucinated universe of Lovecraft and adapts several texts in the essential back school 2025: our 20 The unspeakable (Ki-oh). Shintaro Kago devotes himself to the work as delusional of his compatriot Edugawa Ranpo with Ranpo amnesia. Imitating the style of engravings. Daria Schmitt embarks on an amazing metaphysical reverie around Descartes’s skull, The skull from Sweden (Dupuis).
While the Frenchwoman Camille BROUTIN received the Prix Les Inrockuptibles Manga 2025 for the first volume. the boarding school for girls who serves as a setting for A 2 (Dargaud) always threatens to explode between paranormal and internal tensions. Finally. the American Dash Shaw imitates life disturbingly with Artistic (Dargaud), mille-feuille of intended destinies, choral graphic novel drawn with lightness.
Further reading: In Landévennec, the 7th edition of the reuz in Landé, on the theme of the book and the image – “We turn the last page” – Doullens: Emma Galvani, new author, releases “The dreams of destiny”, a historical romance in four volumes – a saga in 4 volumes for her 1st work – “Le P’tiot Prince”: the little prince of Saint-Exupéry comes out in a translation into Vendée patois – Read, see and listen to Canada this summer.
