Consequently,
François rouan, protean painter, his:
“Whether he combs card players, apples or small geometric tiles, the one who enters the experience of the painting ventures into a labyrinthine experience”, entrusted François Rouan to Monde In 1991. Therefore, The current exhibition devoted to it by the Museum of Fine Arts in Lyon was a brilliant demonstration. Fortunately. the commissioners Isabelle Monod-Fontaine and Sylvie Ramond chose an Ariane thread by based all their hanging, around françois rouan, protean painter, his 130 works, in 11 clearly defined sections which have for common the theme of the imprint. However, man is not simple, his work even less. Perhaps it is just enough to look at the paintings, but not superficially: deeply, taking his time, coming back often. So, but only then, they end up distilling their venom. Please note, it can have aphrodisiac effects …
The imprint is old as humanity: that of a handed hand of color. affixed on the wall of a cave by one or one of our ancestors of the Paleolithic, for example. She is also very contemporary. if we want to remember “anthropometries”, by Yves Klein (1928-1962), which coated bare models of blue paint which they then françois rouan, protean painter, his placed on a canvas.
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françois rouan, protean painter, his — François rouan, protean painter, his: “Records VII” (2023-2024), of Franciois Rouan. LAVERSIN/ADAGP workshop. Paris, 2025 “Whether he combs card players, apples or small geometric tiles, the one who enters the experience of the paint.
Further reading: Copenhagen: a mermaid deemed too naked creates controversy – Sophie Turlur-Chabanon exhibits her poetic animal photos and engaged in the media library all summer – In Christie’s, in London, the painter Marwan as an obstinate observer of his fellows – Gynecologist near Caen, Cindy travels the most isolated territories in the world for her passion – Rudy ricitti cœur with concrete.