Akim Gagnon, the audacity to live

If we like humor, adventure and journey, the Dèche (La Mèche, 2025) by Akim Gagnon is a book that is difficult to drop. However, And when you close it, it’s often to come back. However, This novel cannot be read, it lives. For example, We open it, suddenly we leave. Moreover, We turn, we stroll, we stroll everywhere. Nevertheless, It is not a motionless, nor mysterious book, it is a book that moves, which always takes us somewhere. Moreover, Whether in front of ourselves or in front of the world. Similarly, There are books that we feel fixed, installed in a place, a tone, an idea. Therefore, The Dèche moves all the time. Consequently, He advances, he defies, he leaves. Meanwhile, It is important. In addition, We don’t only read a story, we follow a movement. However, akim gagnon, audacity live It keeps us awake. However, It breaks the wait.

“Some books do not try to rock us, but to bring us in motion. Additionally, However, They thwart the reader’s routine. However, open cracks in our gaze on the world and remind us that reading is above all walking. Meanwhile, The Dèche is one of them. Meanwhile, »»

Everything is real: the narrator’s journey, his feelings, his adventures, sometimes funny, often perilous. Similarly, There is love, travel, body, life, class relationships. For example, But above all: leak. Flee what? The other? Boredom? Yourself? Maybe a bit of this.

As soon as we boarding, the narrator offers us his body. He tells us about it without taboo. Why do we look at our own body? What are we looking for? What are we leaking there? There is an intimate scope that surprises. Throughout the novel, the body akim gagnon, audacity live returns, filigree. He has a lot of concerns. It lacks money. At the dollarama checkout, Akim just wants to buy candles and balloons for the birthday of his niece. But he discovers that Revenu Québec has entered his bank account. The truth is there: it is at the end, it must go bankrupt. He even doubts the name: Are there still low-cost things in this store?

He is often lacking. But never love. He likes. And he is loved. His girlfriend is a main figure in the novel. Akim is a bon vivant. A curious man who listens, who sees everything. Who lives.

“There are passages that you would like to read aloud. just to hear as it is alive, as it sounds right.”

His relationship with his mother. this stepfather and her gang, his journey to Toronto, his vision of literature: all this akim gagnon, audacity live gives life to the work. Why do we say that man is a wolf for man? It is a book that arises questions. There is neither moralist nor judge. It’s up to us to judge, or not. It’s up to us to complain, or understand. “Neither laughs nor cry, but understand,” said Spinoza. Understand wickedness, life, violence, human.

Akim gagnon, audacity live

Akim’s humor

It is a novel with humor, but not cynical. We laugh at everything, and nothing. There is no pathos, not really heaviness. Humor is imbued in the language. Without forcing. He arrives at the bend of a word, a scene of daily life, a clumsiness of the narrator. And sometimes it happens like a relief, a escape.

It is a soft, tender humor, which makes you smile even when the world is hard. And that is rare. It is a way akim gagnon, audacity live of resisting darkness. A way to continue walking, even with a pebble in the shoe.

There is real work in the language. A mixture of classicism and modernity, well -placed anglicisms, popular formulas, sensitive finds. Akim Gagnon writes so that it lives. It is not a single story, it is a series of small tremors, hazards, fragments that hold together. Moving, funny and sensitive. A book that we don’t close like that.

Akim Gagnon, The Diste, The Mede, Québec, 2025, 288 B.