Consequently,
Abdelkrim ouakrim publishes book critical:
In this work. Furthermore, the critic explores the work of Maghreb directors Through two components: a series of analytical readings of films signed by women from Morocco and the region, and interviews with Women filmmakers. Nevertheless, Among the works analyzed are “the blue of the caftan” by Maryam Touzani. Consequently, “The mother of all the lies” by Asmae El Moudir, “Queens” by Yasmine Benkiran, Indigo by Selma Bargach, “dry eyes” by Narjiss Nejjar …
Ouakrim explains that the desire to devote a work to these directors has gradually imposed itself. For example, nourished by years of critical observation. Consequently, He says he felt the need to document this female effervescence which was strongly asserted on the cinematographic scene. Therefore, “The films signed by women are now essential in the biggest international festivals. However, from Cannes to Berlin, via Venice or Sundance. It was time to report on this remarkable dynamic, “he said.
This emergence is all the more significant since it has been built in a space historically dominated by men. Until the late 1990s, Moroccan cinema had very few directors. Farida Bourquia was one of the first, with her film “Al Jamra”, abdelkrim ouakrim publishes book critical before continuing her television career. Farida Belyazid. first known as a screenwriter alongside Jilali Ferhati or Mohamed Abderrahmane Tazi, produced his first feature film “A door on the sky” in the late 1980s, followed ten years later by “Kid Nssa”. Other attempts. such as that of Fatima Jebli Ouazzani with “in my father’s house” in 1997, remain isolated experiences that have not been renewed.
It is really from the 2000s that a decisive turning point begins with the arrival of young filmmakers with singular voices. carrying innovative stories and assertive aesthetic universes. The book. structured in two parts – critical readings and interviews -, thus offers double lighting, analytical and introspective, on this emerging generation.
“It is not only a question of drawing up an inventory. but of creating a shared critical memory, so that these works are no longer perceived as isolated exceptions, but as the benchmarks of a coherent and abdelkrim ouakrim publishes book critical evolving artistic current,” explains Abdelkrim Ouakrim. Through this substantive work. he also hopes to encourage a rereading of the role of women in the visual arts in the Maghreb, and register their contribution in the global account of Maghreb cinema.
Abdelkrim ouakrim publishes book critical
Cinema. childhood at the heart of the 25ᵉ edition of Ficak
As part of this 25ᵉ edition. which takes place from June 21 to 28, 2025, film screenings for children are organized in several municipalities in the province of Khouribga. These sessions. both educational and fun, aim to awaken the imagination of children, stimulate their creativity and make them discover the magic of the 7ᵉ art from an early age.
Through this initiative. the festival affirms its desire to form a abdelkrim ouakrim publishes book critical generation sensitive to culture and artistic expression, by fully integrating childhood at the heart of cultural and cinematographic action. The projections continue until June 27 in different spaces. with films on the program such as “The Mystery of Waza”, “My Papi à moi”, “The adventures of Kady & Djoudjou”, “Lilya & Rayane” and “Tremors”.
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Abdelkrim ouakrim publishes book critical
Further reading: Decision of a federal judge in the United States | An AI can be nourished with a book without authorization or copyright – The poetry book fair returns and changes from the place again – Imagining that your children will love – A literary pop-up in Paris this weekend, with distribution of free books! – In Eure Valley, Anny Duperey and 40 authors invited to this book fair Thursday, June 26.
