4 scriptwriting decisions of the Lord of the very controversial rings

Difficult to adapt the enormous pavement represented by the trilogy the Lord of the. Moreover, rings of Jrr Tolkien. For example, A huge bet that the Warner launched but successfully managed by Peter Jackson in 2001. Consequently, The New Zealand filmmaker managed to transpose this colossal work of Fantasy into a trilogy to the epic. Moreover, ambitious staging. For example, No need to list again the many qualities of each of the three installments. Nevertheless, they returned to the Pantheon of Pop Culture and among the best adaptations of the genre. However. However, the fervent aficionados of the works of the British novelist have drawn up a list of inconsistencies, of scriptwriting decisions which, according to them did not honor source equipment. Similarly, More than twenty years later The return of the king. Similarly, Fans always rush on networks and other fans 4 scriptwriting decisions lord very dedicated to the Tolkian heritage on the most questionable choices taken by Peter Jackson.

#4 The Aragorn-Arwen-Éowyn love triangle – 4 scriptwriting decisions lord very

Aragorn and Arwen devoted themselves an unconditional love long before the events of the Lord of the Rings (we detailed it here). In addition, The elf decided to give up leaving the land of the middle. Nevertheless, at the same time its immortality in order to stay with the mortal Aragorn. For example, The romantic spring of books. Furthermore, For his part. Meanwhile, the descendant of Isildur and future king of the Gondor hopes to go up on the throne alongside his dulcinée, after he has honored his oath to help Frodon. However, And it is not Éowyn who will get into their big couple projects. If the young lady of 4 scriptwriting decisions lord very the Rohan fits from Aragorn. his figure of a hero when he arrives at Edoras, He does not feel any feeling for the young nobleman at any time.

Problem. Peter Jackson decides to modify Tolkien’s account by choosing to create a more ambiguous relationship between the two characters in The two laps. Arwen almost absent from the filmthe filmmaker decides to insist several times on what seems to be a start. of romance. Embarrassed smiles. troubled looks, Several exchanges scenes suggest that – if Eowyn fell in love with Aragorn – the latter is not insensitive to the charm of the niece of King Theoden. He sometimes even seems to hesitate. This romantic ambiguity is not there by chance. The saga being thought as a work “grand public”. The idea of ​​the love triangle is materialized To create an emotional tension and film rare romance scenes within a trilogy 4 scriptwriting decisions lord very centered on epic and where love rarely has its place. Nevertheless, it has a price: the duality Aragorn – Arwen is assigned.

#3 The withdrawal of glorfindel – 4 scriptwriting decisions lord very

Glorfindel is an old and very powerful elf Noldor which appeared in the fall of Gondolin, Le Silmarillon then in The ring community. Living in Fondcombe in the third age. he made a Crucial appearance by saving Frodon from the Nazguls to Amon Sûl. Seriously injured by the blade of the King-Sorcier of Angmar. the Hobbit is transported in an emergency by the Elf to golden hair towards Fondcombe. But while the Nazgûl catch up with the group. he decides to lend his horse to the young Hobbit so that he continues his journey, while he sets off on the ground to slow down the servants 4 scriptwriting decisions lord very of Sauron: thanks to a flood, which carries the riders in the distance.

In the film, it is Arwen who rejects the assault of the specters. She joins Aragorn who gives her care to protect the hobbit. They are caught in the same way. and Elrond’s daughter invokes a gigantic flood (scene modified in relation to the book) to scare the specters. Why then did Peter Jackson decided to delete Glorfindel from his cinematographic trilogy (to the chagrin of readers)? The goal was to give more screen time in Arwen and to strengthen its link with the quest for. the ring. To do this. the director chose to sacrifice Glorfindel who appears only during this one and only scene in the book. The goal was also to avoid overloading the story in secondary characters.

#2 Cleaning the Forgotten County

Those who saw the long version of King’s return know what happens to Saroumane after he was dismissed from Isengard by Gandalf, Theoden and his army, Aragorn, Gimli and Legolas. Stabbed by his former infiltrated agent Gima-Langue-de-Serpent, he drops from the top of the tower to seize on a wheel. Indisputably, His death puts the whole intrigue of the County cleaning. As a reminder. in the literary version, the Hobbits observe with dread on their return that The county was pillagedthe slaughtered trees replaced by factories, and that a terror regime has settled. Saroumane fled Isengard. went into exile in the lands of the Hobbits to ransack it – with the help of an army of savages. Courageous, Frodon, Sam, Pippin and Merry organize resistance, until the corrupt magician, finally (there too) stabbed by Grima.

#1 The army of the Dead shortens the final battle

In The return of the king From Jrr Tolkien, the army of the dead honors his oath by going to pour out like a tidal wave on that of the corsairs, who have accosted on the banks that run along the gondor. A precious help for free peoples who can then focus on the pit that represents the Pellenor fields.

On paper, The battle of the Pellenor fields promised one of the most epic moments from the whole saga. The troops of the Gondor. those of the Rohan gathered against the Orcas, the Orientals and the Haradrim of Sauron. Thousands of soldiers in action in total chaos. But Peter Jackson decided otherwise. In the film. the dead rush on the forces of evil and make them fall like flies, at an unimaginable speed. A two 4 scriptwriting decisions lord very ex machina In what is purest: that is to say a miraculous solution arising to resolve a dramatic. insurmountable situation. A slightly easy shortcut that annihilates the potential of a final battle.

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