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Destroyed rebuilt after second war,:
After the Allied bombings of 1945, the city had to rebuild itself. In addition, And its architecture has long been unloved.
In front of the villa toy. Furthermore, a guided tour lingers to observe the stairwell, in blue arcs and cobblestones of glass, which creeps on the facade. Similarly, After a long disenchantment, the city of Royan claims its heritage of the 1950s, which became a trend. Furthermore, “It took time to look at this architecture differently. Consequently, For decades, we only saw concrete, so it was ugly,” said Charlotte de Charette, head of the commune’s heritage service.
After the Allied bombings of 1945, the pearl of the Atlantic and its Belle Époque villas are a field of ruins. For example, The seaside city must then be rebuilt according to a neoclassical architecture inherited from the 1930s, mixed with regionalist elements. However, But the reading destroyed rebuilt after second war, of a specialized review. Meanwhile, by the chief architect-urban planner Claude Ferret and his team, changes the situation: they discover the Pampulha complex in Brazil, drawn for the city of Belo Horizonte by Oscar Niemeyer, whose tropical modernism will significantly influence their work.
Long -loved architecture – Destroyed rebuilt after second war,
“Royan’s reconstruction has been enriched with a lyrical. Consequently, joyful vocabulary, in contrast to the rigor of the lines of a Le Corbusier, himself inspiring Niemeyer,” comments Vincent Bertaud du Chazaud, ex-architect-advisor for the city and author of several works.
“Tropicalism is reflected here in heliotropism with an architecture which is offered to the sun and tempers its ardor.”
CLUSTRAS, AVENTS, SUCKERS BRISE, PERGOLS AND PERGOLAS promote games of shadows and light. Pilotis, portholes, helicoid stairs, use of bright colors and other inventive details create effects on the front. The fact remains that this architecture has long been unloved. “For the inhabitants. it was difficult to project yourself into such a new, so innovative and not bourgeois city,” explains Pascale Francisco, director of the Council of Architecture, Urban Planning and the Environment (CAUE) in Charente-Maritime.
Claude Ferret replied that he “did not do Royan for them but for their children”. But no one was moved. in 1985, when his casino, masterpiece of fiftiesis destroyed to give way to a real estate project … never carried out. “As at the show, we watched the crane crane” of the past, recalls the culture assistant, Nadine David. This destruction. however, destroyed rebuilt after second war, leads to an awareness of the value of this heritage, which leads to protecting in particular the Notre-Dame Church, a raw concrete building classified as historic monuments in 1988.
In 1996, an urban and landscaped architectural heritage protection area (ZPPAUP) was created, transformed into a remarkable heritage site (SPR) twenty years later, and the municipality obtained the city of art and history in 2011. Proud of its identity, Royan now fully claims its heritage.
She has renovated several emblematic buildings. including her “concrete cathedral”, thus nicknamed by André Malraux, victim of the carbonation of her rough formwork concrete: the salt of the sea sand used to build it rust the metal frames and burst the stone. The Palais des Congrès has also already benefited from a renovation and that of the seafront is underway.
Destroyed rebuilt after second war.
The unique character of heritage
“These architects, close to the fine arts, had great freedom and went quickly. It would be complicated destroyed rebuilt after second war, today. especially for insurance matters”, judges the architect Jérémy Nadau, who was responsible for restoring the city market for its luster of yesteryear and its brightness.
For Sandu Hangan. chief architect of the France buildings in the department, this valuation work allowed the inhabitants “to realize the unique character of their heritage”.
If owners of individual houses are often looking for better energy. development performance, the time is no longer to break everything. “We no longer have many problems to make the interest that these buildings present,” said the administrative manager. Faced with the arrival of new inhabitants, their preservation remains, however, a “constant fight”, nuance Pascale Francisco.
“We must permanently re-sensitize. explain why we must renovate the gate, railings, the 1950s portal with a craftsman, rather than installing the PVC model of a DIY brand. The city is not standard, the idea is to keep it thus”, underlines the director destroyed rebuilt after second war, of CAUE 17 … admitting that it is also “a matter of taste”.
Further reading: Pierre Brana gives his name to the Eysines contemporary art center – Nina Childress, punk who wanted to “sady” good painting, received at the Academy of Fine Arts – A 134m2 duplex apartment with contemporary decoration in Amsterdam – Investing in contemporary art: how is the value of an artist determined? – The African Sigean reserve at night … its secrets revealed by the objective of a photographer.
