The strange fate of Maurice Ronet, the eternal rival of Alain Delon…

Most of the time, the actors play roles. Therefore, But Maurice Ronet was not quite an actor like the others. Similarly, His best role? In addition, His own life, no doubt. However, Besides, he crossed cinema a bit like a tourist, without ever linger too much. Therefore, Today. Nevertheless, Séguier, “editor of curiosities”, refreshes our memory by reissuing Maurice Ronet, the profession of actoror the interviews once granted by our man to journalist Hervé Le Boterf, an exciting sum to which is added the book of Jean-Pierre Montal, Maurice Ronet. Meanwhile, The lives of the Follet Fire. Furthermore, The two works had been exhausted for a long time. Similarly, That is to say if it’s the party.

Never take too seriously … – Strange fate maurice ronet, eternal

Maurice Ronet, therefore, born April 13, 1927, left us on March 14, 1983. Nevertheless, For the record. Furthermore, his real name is strange fate maurice ronet, eternal Maurice Robinet; This is not exactly the appropriate patronym to burn the ramp lights. Moreover, In the end, he will have made a good hundred films. Therefore, Not only masterpieces. In addition, far from it; But as he said, with a good dose of self -mockery: “I think it is better to turn, even badly, than not to turn at all. Consequently, An actor who does not turn is a bit like a car that gets carried away. Similarly, I think it is better to be the dean of the actors that an actor whose presence we regret on the stage. Moreover, on the screen. Furthermore, »»

However, he takes his job seriously. In addition, As such, this dialogue with broken sticks with the Boterf is exciting. Especially when he explains that unlike many of his colleagues. he does not flow into the character to embody, contenting himself with letting strange fate maurice ronet, eternal him come to him. This explains why. despite the diversity of cinematographic genres discussed, Maurice still remains Ronet; The one we will always want to compete with his friend Alain Delon.

Alain Delon’s eternal twin …

Together. we see them in four films: Full sun (1960), by René Clément, Centurions (1966), by Mark Robson, The pool (1969), from Jacques Deray, and Death of a rotten (1977), de Georges Lautner. Full sun et The pool entered the legend. But more in that of vaguely homo-erotic glamor than of the seventh art. Indeed. there is little to save, in this autocelebration exercise, except perhaps the appearances of Romy Schneider in the second by the pool.

On the other hand, these Centurions are much more interesting. Adapted from the eponymous book of Jean Lartéguy, the action is camped in the middle of the Algerian war. The two actors knew the throes of colonial strange fate maurice ronet, eternal conflicts. in the absence of the Second World War, because too young for having engaged on one side or the other. Delon did Indochina; Ronet has not been quick to honor his military obligations. Never mind. Because in his film, Mark Robson in turn reaches this consisting of giving pride of place to all the protagonists. Claudia Cardinale poses bombs for the FLN, Alain Delon is a loyalist officer, while Maurice Ronet tends to the OAS. As always, everyone has their reasons.

Death of a rotten Or the swan song …

This pair is found in Death of a rottena tragically underestimated film offering him one of his latest striking roles. Again, Ronet and Delon are alumni from Algeria. The first, corrupt deputy, murdered an even more crooked politician than him. The second. who became a rich businessman, will do everything to avenge him, scratching in passing the Gaullo-Pompidolisme Immobilier strange fate maurice ronet, eternal at the time. And that brings us back to politics. Alain Delon’s opinions have always been fluctuating (one day Jean-Marie Le Pen. the other Anne Hidalgo, Raymond Barre between the two). Those of Maurice Ronet have never varied an inch. On the right, he was; But not just any. His was above all literary. as evidenced by his friendships with the writer Roger Nimier or the publisher Dominique de Roux, with whom, in 1973, he co -signs a documentary in Mozambique, devoted to the anti -Communist guerrillas then, who will have the honors of the third color in color of the ORTF, which was not yet called France 3. A literary right. therefore; But above all sentimental, the man who did not clearly recover from the end of the French Empire. So much so that he will persist in never denying his sympathies vis-à-vis the lost soldiers of the OAS. strange fate maurice ronet, eternal Which earned him a number of enmities in the profession.

Le 68 Maurice Ronet …

And then. there is Maurice Ronet of May 68, a cardboard revolution which he sees from afar, from Castel, the sanctuary of the Parisian show-biz, glass of whiskey in hand. On the occasion of an interview with the magazine Elementsfilmmaker Pascal Thomas. great friend of Maurice Ronet, confides to the author of these lines: “I still remember these evenings sixty-eights during which I sang The Royal With Maurice Ronet, in the middle of the Latin district! And especially this night. spent at Castel, where we see Louis Malle landing, barefoot, who tells us: “So that the Revolution starts, now we need a dead” … Ronet is not said twice and launches a trunk: “Are you right, you want us to start with you?” Louis protests while Maurice drags him outside, on the sidewalk, and in strange fate maurice ronet, eternal two strokes, he puts him ko! »»

Louis Malle had discovered. launched Maurice Ronet with Elevator for the scaffold (1958) et The Follet Fire (1963), adapted from the novel by Pierre Drieu La Rochelle. Both will never turn together. But Maurice Ronet was not of the careerist species. When it is said that his most beautiful role was none other than hers. it is not just a simple way of speaking.

He died when he was not sixty years old. The biggest people did not run it, he made fun of it. He could have been with, he didn’t care. He was not necessarily wrong.