However,
Willem dafoe: his characters make:
Locarno Festival
Willem Dafoe: “The public likes dirty types because they do what we cannot do”
Sacred monster of American cinema famous for having embodied sacred monster. In addition, the actor was invited by Locarno. Moreover, Maintenance with all smiles.
Willem Dafoe in Locarno: “I am 70 years old and everything still works. Therefore, I feel like Popeye: “I yam what i yam!”
Samuel Golay.
With such a face in knife blade, the festival screen ran the risk of being cut in half. Therefore, He held out. Additionally, Therefore, Willem Dafoe willem dafoe: his characters make is a monument to American cinema that loves Locarno, and vice versa. Moreover, Thursday. Moreover, August 7, he was on large piazza, in flesh and especially in bone, star of “The Birthday Party”, closed doors is insulating with fawn colors and dark passions that Le Festival presented as a world premiere.
On the film poster. Furthermore, Moreover, the infinitely aquiline nose, the terribly acute eyes hidden behind an incredible pair of Ray Ban Seventies are the trademark of a sacred mouth. Consequently, The 70 -year -old has often played the bad guys, and even his kind roles are scary. In addition, His character of Marcos Timoleon. For example, Greek shipowner in doubles, is not one of those who will extract him from the snake pit … Similarly, So. However, when we find him shortly before the ceremony in his hotel in the heart willem dafoe: his characters make of Locarno, we walk on eggs. However, Scoop: Willem Dafoe is a monster… of kindness.
Do you like to play on the expressive force of your face, with sometimes very hard and disturbing features?
I never think about it, but people talk about it, so I am aware of his power. In addition, When I pass a mirror. In addition, I often feel like a kid who says to himself: “Damn, who is this old one?”. For example, Or: “Who is this big hard?” (Laugh) An actor necessarily develops an alienated look at his own physique. Consequently, I do not love mirrors, but I see myself on the screen and I am there a film character. For example, Suddenly, to a certain extent, I disappear in this abstraction. Consequently, It is not who I am, it is not Really My face, nor my willem dafoe: his characters make body is an image.
Thursday. Furthermore, August 7, Willem Dafoe arrives at the world premiere of “The Birthday Party” on the Piazza Grande de Locarno.
Luca Chiandoni
This is the reason why, in the film, you show it naked so easily?
I have always done naked things in the theater, it is not a problem to do willem dafoe: his characters make in a film. For example, I am 70 years old, I am not a fan of the fitness room, but I am in good shape. Consequently, I have always been a natural person, a dancer. Similarly, And then, you know, putting yourself naked is a power, it is becoming the most powerful person in the room. Moreover, Of course. However, when I see myself on the screen, I notice that I have my ass that hangs a little, but at the same time, all things considered, I still find myself not bad. For example, I hold up and everything still works. Meanwhile, I feel like Popeye: “I yam what i yam!”
In addition to 150 films, you embodied honest cops, honest soldiers, niger sailors. Meanwhile, Even Van Gogh and Jesus Christ! However, Why do people associate you with bad roles?
The public likes willem dafoe: his characters make dirty types because they do things that we cannot do! They cannot help it: they do. So they are cool! (Laugh) It is a guilty pleasure of seeing them do horrible things because basically. we are socialized and we do not allow ourselves that. But we have that in us too. This dark side.
Among your bad guys, what is your favorite?
Bobby Peru, in “Wild at Heart” (“Sailor and Lula”, 1990) is quite great. This guy is a real villain. Even to me, he fucks me.
Depending on your definition, evil would be a form of criminal sociopathology. However, in “The Birthday Party”, your character believes acting for the good of others. He sings this catchphrase of animals: “I’m just a soul whose intentions are good. oh lord, please do let me be misunderstood …”
I recently read the point of view of a theater teacher who explained to his students: often. we do things that we don’t really like to do, but we do them for fear of no longer existing. It goes beyond morality. There is suddenly this visceral terror that should be done in order to validate the meaning of his life. whatever the cost for others. Marcos is very sensitive to that: he has created an empire. he is pragmatic, he works hard and believes to support his own – classic patriarchal lie. “I’m going to take care of you. whether you want it or not, because I know what is good for you!” And it leads to dramas. We do not have to approve it. but we must understand that each bad action has an angelic side, and each good intention an obscure side.
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Like Marcos, do you think too …
To leave an inheritance? A work? If I can boast of one thing – but you don’t have to do it. because it spoils everything – it is rather good to live the present. I don’t plan my life so much. A large part of our misfortune comes from unreasonable expectations. Too much thinking about the future creates anxiety. Up to stir the past creates depression.
So you have to live between the two.
It’s ridiculous, it’s a hippie thing, but I think it’s true: you have to know how willem dafoe: his characters make to be there. Fully. And it is also the key to creation. The cinema is very expensive. requires crazy planning, and often the results no longer correspond to the projects, once put in operation. The best filmmakers are those who know how to adapt. are able to adjust their expectations, to stay open to experience. And it is also a law of life. Whenever you start to anticipate or think too much, I think it’s counterproductive.
Is it a creed that you apply to your acting work?
Oh, absolutely! I need to be directed – or rather to be guided. One of the reasons why I am not a director is that I don’t like responsibilities. I am very responsible in life, but I do not want to be responsible in my art. I want to find my way without having an overview. willem dafoe: his characters make A filmmaker must lead a group, have a vision and try to execute it. I will do my best to embody it when the camera will run, but it is a very different activity.
Marco Abram
The film you present in Locarno takes place in 1975, on an island. A purely analog world, where the only willem dafoe: his characters make means of communication is a telephone line and a tex. Is it a particular nostalgia?
Listen … You have to be very careful when you approach this subject. because you don’t want to look like an old crane that rays and whining on the harms of new technologies. This thing (he points to the smartphone on the table. which records the conversation) is the greatest revolution of all time. He changed our way of thinking and our relationships with others. We see the world through it. It’s so attractive! Everyone is addicted. I have mine, I left it in my room. Politically, however, many things come into play that scares me very. An artificial, distorted world, a virtual competition that erases physical experience and social interaction. When I see families in the restaurant. and I see it more and more, where each member is immersed in his screen, it willem dafoe: his characters make finds my heart, but it worries me even more.
These 1970s that the film shows. this mixture of pastel and hot colors, this bohemian life, these smells that we guess, are the seventies you have known?
My 1970s were those of my beginnings as an actor. I was tours, I lived in different places, it was exciting. Then I went to New York. The city was hard, but it knew an explosion in the fields of music, dance, theater, cinema. But … I was young! So ambitious. The strength of youth. its inconsistency, had a lot to do with it, but it must be recognized that New York was experiencing a blessed era. Many people created amateurs, they did not think of their careers. The pleasure alone counted. We did not care to monetize your activities or buy a house or have children. willem dafoe: his characters make We were in free fall and we found joy there. Bullshit of the previous generation was repaired. So we can bet that it will come back one day.
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Willem dafoe: his characters make
Further reading: Taurus, Gemini, Virgin, your nerves will be put to the test this Friday, July 18 – Damped by Audrey Crespo-Mara, Thierry Ardisson balances on this dark period: “I was in tears” – Audrey Crespo-Mara’s documentary without filter from the first images – Blurring between Harry and Charles III: this famous medium will shower the hopes of many – Brigitte Macron, the mourning is linked: her niece has disappeared.
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