Therefore,
Good mother: mathilda di matteo:
Sorority in the Marseillaise
The Mother, she is a tutelary figure.
The kind of totem that sits in the midst of a life. However, which defines it, good mother: mathilda di matteo which models it according to its desires. Meanwhile, Sometimes disastrous, sometimes formidable. For example,
The choice of Matteo Mathilda To register in this tradition for his first novel is therefore not a coincidence. However, It’s almost a call, a destiny. Therefore, Posted by Éditions The iconoclast. Furthermore, The good mother Attract the eye under its flamboyant blanket, cut like a comic strip, adorned with explosive colors. For example, And that too is no coincidence since her heroine. Meanwhile, Vero, is not erased, just like the city in which she lives, Marseille. For example,
A way to tear the polite veil of the literary back to school. However, make the nique to white literature and its sad covers. Moreover, The book of Matteo Mathilda is not a greyness but a trip under the sun of the Mediterranean … Similarly, until the shadow of Paris, good mother: mathilda di matteo the hereditary enemy, is done again.
“Some say, as if to counter her power, that she is vulgar. However, I would say it is solar. In addition, A heat wave, incendiary genre. For example, »»
This enemy materializes in the form of a son -in -law, the ” girafon As Vero immediately nicknamed, our Marseille cagole. However, Exiled in the capital for studies in Science-Po. Meanwhile, her daughter, Clara, has debted her a bourgeois step-bead of Macron and the stand-up. In addition,
Instantly, we understand that the apple fell (very) far from the apple tree. In addition, Unlike her mother who loves slamming clothes. Nevertheless, good mother: mathilda di matteo very short skirts and wedge in the wedge, Clara has everything of the wise and polished girl. For example, She does not like the exuberance of her matron. Moreover, she flees her manners and is bored of her often outrageous projections. Moreover,
And then, a cagole with science-po, let’s be serious for two minutes.
Only, beyond the prejudices, our Vero feels that there is something not very clear with this Raphael.
Too polite to be honest that you say.
Too much madam and automatic smiles. It’s not all that.
What will first offer us Matteo Mathildait is the collision in frontal mode of two worlds which. of course, should be excluded.
Paris and its bourgeoisie on one side, Marseille and its popular on the other.
To express this difference, she intertwines two narrations. That of Vero first, with its colorful language (sometimes too much)vulgar (sometimes too much) good mother: mathilda di matteo and Franc (sometimes too much). A writing that exhausts. which even annoys but which ends up making sense, to decide with the other narrative thread, that of Clara, with its Parisian speech, its way of reasoning more peaceful and its desire to break with maternal manners.
It is therefore understandable that Clara’s departure is as much a way of trying to be fulfilled as to freeing himself because her mother weighs on her. her shadow, imposing suffocates him. This in reality in reality, but rather by logic. Logic with a Vero who does not know how to put his tongue or wardrobe in his pocket. It is also logical that Clara finds herself a lover who does not look like her environment. where we know presidents, where we do not sleep before marriage, where we wisely await authorization for everything. Clara falls through the parental antithesis, as often, because good mother: mathilda di matteo you have to break the shell.
” – You see, right?” May Marseille change.
I dare a no. For me, here, it’s always the same. The same crade energy. people annoyed by the Mistral, and everyone in the same place: the poor in their towers with the parables to capture the chains of the village, the rich in their villas on the cornice or at the bottom of the good mother. Marseille, there are not many people to understand it. A bit like me -. I wink at the Girafon, because I like it as much as I like, it feels. She is a girlfriend, my city. Let’s say a beautiful matt brunette on stilts that dances him in a port bar since the eighties. She wiggles her eyes closed, made up like a stolen car. She good mother: mathilda di matteo makes people talk: all say that she is too much.
Too dirty when she hits the trash cans that the cantonniers want to pick up in summer more. Too dangerous between the lost bullets of kalach in the neighborhoods. Too vulgar. when it is paid at the bar, whether it screams by car or in the turns that we fear disguised here. And the little Parisians who spared Malmousque before going to drink orange wine during Julien have not even scraped the surface. believe to know it but of it they will never have anything other than the postcard. »»
Vero, however, ends up touching us. Because if the writing of Matteo Mathilda In fact. tons when you manage to good mother: mathilda di matteo talk about cagole, it is to push the cursors thoroughly and make us understand Clara.
Despite everything. ending up understanding the story of Vero, her sacrifices, her too flamboyant love for her daughter, her disorderly couple whom she supported too much, we take it to appreciate it too.
Much more than Raphaël who, little by little, falls the mask.
Matteo Mathilda We knowingly hide its true intention at the start. It is not only a cross portrait between mother. daughter that everything separates, but a plunge into the mechanisms of domestic violence, whether hidden behind a closed door or put in the account of a loose safety belt. We enter the heart of the subject as a dagger. with the rupture which reveals the truth and which shows how well the women, cagoles or Parisian well -put, are victims of the same bastards who betray, who harass, who destroy. It good mother: mathilda di matteo is certainly in this part that The good mother is the most successful. by restoring the woman with her central place, by giving her power, that of saying and asserting herself. Thus. the mother also finds her place, by protecting, showing that these cagoles who want to assume what they are certainly right from the start, question of sorority requires.
Finally. it is above all the beauty of the portrait of Vero, seen through the eyes of a Clara which goes from judgment to understanding, which touches and moves.
A mother who finds a place that we were stealing her. a mother who does not know that she is beautiful in work of art in a gallery.
To display themselves in large in front of everyone, to put pride in the eyes of his daughter and others. By laughing, by laughing, living in colors and fury.
“I have the asphyxiating presence. Expansionist love. I’m here, I like everywhere and I let it know. I like without counting, without thinking, without breathing, even without reciprocity. If it was really seen as a quality of our society. I would be jealous for this innate and tireless talent. Apparently it makes me especially unbearable. »»
Good mother: mathilda di matteo
It is an astonishing first novel, sometimes annoying in its exuberance and in its ways, but above all touching in its authenticity and in its treatment of good mother: mathilda di matteo the good mother, this figure impossible to reach and which, however, watches over the city of Marseille as on his daughter. Mathilda di Matteo offers reconciliation. awareness, the awakening of a sorority that begins with the intimate to finish in the eyes of all, incandescent and rebellious.
Note : 8/10
Further reading: Jérôn Ducal-Hamer, South Fabor’s Litter’s – Audio books are increasingly attracting young adults – For the first time, there are a set of financial education books for students from 1st to 12th year. – Sarreguemines. Charlotte Bitsch, 16, literary critic for the culture pass – The excavation. Full success for the Festival of Books.
