Our criticism piano accident, perched: This article explores the topic in depth.
Nevertheless,
Our criticism piano accident. Therefore, perched:
CRITIQUE – Quentin Dupieux stages the actress in a cynical web star in a black comedy that spares no one.
Archar arm, neck caught in a Minerva, Filacus wig, teeth rings … Nevertheless, From his descent as a helicopter, Adèle Exarchopoulos is unrecognizable and perfectly identifiable in the guise of Magalie. In addition, A new specimen joins the gallery of monsters that Quentin Dupieux has been in a relaxed one for almost fifteen years (Steak. Consequently, Rubber, Based on the piece, Yannick, Incredible but true, Daaaaali! The second acte).
“I forgot to put a positive comment on the helicopter pilot”, regrets Magalie. Nevertheless, Or rather Magaloche. Furthermore, a convalescent web star and in a break in a mountain chalet, accompanied by his assistant (Jérôme Commandeur, perfect in a veule). Therefore, We will our criticism piano accident, perched learn that her talent is a congenital disease that makes her insensitive to pain. It allows him to post shock videos in which she inflicts all kinds of abuse (boiling water on the legs. blunch with baseball bats …) without a scratch.
Not so sweet madness – Our criticism piano accident, perched
The rich magaloche. famous gnaws at its brake, eats yogurts, undergoes the harassment of a fan (Karim Leklou, perfect as a degenerate admirer) and ends up having to accept an interview with a journalist (Sandrine Kiberlain, perfect in professional interview professional) who knows a lot about the piano accident caused it. Magalloche may “Dabling the ass” And wish that the journalist will go “Getting your ass put on”. This will have the last word. “And this whore will become famous thanks to me”deplores the influencer. Richness of Magaloche’s vocabulary.
We had discovered the vis comic of Adèle Exarchopoulos in our criticism piano accident, perched Mandiblesof the same dupieux. She played Agnès, a bizarre speech girl, sequel to a ski accident. Magalie is something else. A first perched role. Not so sweet madness. Mandibles was a praise of idiocy, harmless, funny, even source of creativity and daring (tame a giant fly). L’A accident of piano is a satire of stupidity. an inexhaustible subject since Flaubert, a scourge increased tenfold by the power of the asocial networks.
Dupieux returns to the darkness of Sheetalready the portrait of a sociopath with isolated criminal impulses in. the mountains. Maybe also a self-portrait. Under his air as a bearded. wacky filmmaker, a fanciful man-orchestra (screenwriter, executive, editor, composer), Dupieux is a great misanthropic. He may pretend to keep faith in humanity in his interviews. his cinema vomited our formidable era with unparalleled fierce humor.
Further reading: “I’m still on a cloud”, Brad Pitt has piloted a real formula 1 in Austin thanks to McLaren – Channing Tatum hidden in a toy store: crazy trailer for Roofman – Two half-brothers-an Aboriginal and an Allochthone-are told in a documentary – Nearly 100,000 admissions for “F1, the film” from the first day – In pictures. The movies not to be missed during the Cinema Festival.
