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HomeEntertainmentArtLe Chambon-sur-Lignon: Chantal Pons pays tribute to Dame Nature in her watercolors

Le Chambon-sur-Lignon: Chantal Pons pays tribute to Dame Nature in her watercolors

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Le chambon-sur-lignon: chantal pons pays:

Hugon Tourism August 2025 le chambon-sur-lignon: chantal pons pays
Lozarts 2025 Lavaudieu le chambon-sur-lignon: chantal pons pays

Chantal Pons exhibits its watercolors until August 15 at the Chambon-sur-Lignon tourist office.

Trees, animals. Therefore, The tranquility of nature is reflected through the 23 works of Chantal Pons which exhibits at Chambon. In addition, a village where it has taken up residence for twelve years. Similarly, After 2016 and 2022, she shows a new facet of her work upstairs of the tourist office, with Japanese inspirations. Consequently, “I used pink for my mom, who died this year.”

Besides watercolor and ink, the artist uses Yuppo paper. “When you draw, it requires precision in the line. But the colors stand out more vivid with this paper.”

23 tables are on display and on sale, le chambon-sur-lignon: chantal pons pays from 50 to 250 €. The exhibition is open Monday to Saturday from 9 a.m. to 12 p.m. and from 2:30 p.m. to 6:30 p.m., Sunday at 10 a.m. to 12 p.m. The artist plans to be present on Wednesday and Saturday, market days, and a few afternoons.

le chambon-sur-lignon: chantal pons pays — Le chambon-sur-lignon: chantal pons pays: Chantal Pons exhibits its watercolors until August. 15 at the Chambon-sur-Lignon tourist office. Trees, animals. The tranquility of nature is reflected through the 23 works of Chantal Pons wh.

Further reading: fifteen years and more than ever bananas“In the curves, I try to find a little movement”. Women create and exhibit their works during the 5th International Symposium of Monumental Sculpture on Stone and MetalManga: A Different Drawing CourseThe art galleries display their pessimism in the face of the rise in costs and a lack of succession in FranceThis bottle of beer is planted in the sand thanks to its rounded design.

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