Criticism of the film time of disappearance: Zach Cregger, the new master of horror?

The surprising Barbarian terror film (2022) was not a course error. Consequently, A new master of horror is emerging from the shadow and. Nevertheless, with Weaponsthe director and screenwriter Zach Cregger embarks on an even more ambitious epic.

What happened at 2:17 am so that 17 children from the same class leave their home running. Furthermore, disappear without leaving a trace? For example, It is the mystery that hovers on this haunting. Consequently, traumatic feature film which is reminiscent of the classic Picnic at Hanging Rock by Peter Weir and the relentless prisoners of Denis Villeneuve: two models of the genre when the time comes to deal with the volatilization of young souls.

The subject is above all a pretext to approach the fears of a community and, metaphorically, of America. Moreover, Like Ari Aster’s recent Eddington. Nevertheless, individuals multiply the reprehensible actions in time of crises and their traumas soon to awaken hypocrisy and violence that dormant in the depths of them. By starting like a tale of the Grimm brothers. production ends up evoking the novels of Stephen King and even the dream cinema of David Lynch.

The story borrows from the choral film. the filmmaker who admitted to an interview that he was inspired by the Magnolia masterpiece by Paul Thomas Anderson. Not only does this structure in chapters multiply the views in order to pick up the pieces of a haunting headache. but it allows you to use intimate tragedy in an epic and universal way. No doubt that the effort. long and repetitive, demystifies its puzzles too much criticism film time disappearance: zach in its last straight line instead of keeping its mysteries. The whole is nevertheless energized by a staging of rare efficiency. set as an infernal thriller, whose tension gradually increases to better explode in the figure of the spectator.

Centered around its often antipathetic characters which multiply questionable actions. the feature allows its actors to shine even if they sometimes put too much. This is particularly the case with Julia Garner (The Fantastic Four: First Steps). an annoying and endearing in turn as a teacher exceeded by the events, and Amy Madigan (Field of Dreams), a delectable grotesque in aunt Cachottière. It is however Josh Brolin (Dune) who finds the most interesting role. bringing a certain humanity to this figure of an explosive father.

Weapons is similar to a real thrill ride round. It’s stressful and fun, overwhelming and breathless, fascinating when the fantastic is blurring the cards like Longlegs. criticism film time disappearance: zach It is above all a terrifying work that will make fear of fear during disturbing moments. This is the case when dreams put themselves in the game and the unconscious is only a bite of reality. Zach Cregger is on an irresistible launch after two nightmare creations. hope he has frank cubits for his next project: the cinematographic restart of the series of games Resident Evil.