Yves jeux: "when i ukraine,: This article explores the topic in depth.
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Yves jeux: ". In addition, when i ukraine,:
Yves Jeux: “When I was in Ukraine, I kept thinking of Alain Cavalier”
For five days spread over five years, Yves Jeux filmed his companionship with Alain Cavalier. Similarly, The opportunity for the documentary maker who filmed Georges Frêche. Similarly, Volodymyr Zelensky to “film the filmer” by immersing in the heart of his Apartment-Atelier, a real intimate museum, therefore revealing all the sensitivity and malice of the noragnaire filmmaker.
Between the summer of 2019. For example, the winter of 2024, Yves Thuiland returned five visits to Alain Cavalier, in the two-piece of the filmmaker, Antre Secret where he develops and mounts his films. In addition, Five days over five years. Furthermore, to develop Rider onlyportrait of a “filter” which lets itself be filmed, while sharing yves jeux: “when i ukraine, rules of the game. Thus. this “portrait of the portrait painter” can be seen as an additional opus pursuing the long film adventure, started almost thirty years ago with Meeting (1996), love newspaper, all in a dead kind and visual haikus. The singularity of Rider only is that he opens the doors. cupboards of a museum that is both imaginary and concrete, from which the filmmaker draws his inspiration: collections of poetry at hand, drawings of insomnia, perishable sculptures, dead leaves arranged on the walls like bas-reliefs. Under the camera of Yves Jeux. Alain Cavalier revels in being the instigator of a poetic and domestic system where each object is so speaking and in which one feels so well received. Above all. the film lifts a tenacious misunderstanding according to which rider is the filmmaker of the solipsist withdrawal, when he appears, on the contrary, eager for exchanges and distributed. yves jeux: “when i ukraine, What is more. this portrait of a nonagenarian artist has allowed the luxury of taking his time, an additional foot-brief on the anxiety of death, a feeling both omnipresent and constantly foiled.
Another more surprising conjunction. We remember that Alain Cavalier had played the President of the Republic (in the tasty Pater In 2011. with Vincent Lindon as Prime Minister), when Yves Jeuland filmed several presidential figures in his documentaries: The president (on Georges Frêche in 2010), A time of president (on François Hollande in 2015) and very recently Zelensky (Corélized with Lisa Vapné and co -written with the latter and Ariane Chemin), also visible on Arte.tv. The opportunity therefore to evoke unexpected echoes
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