Yverdon: a contemporary art exhibition at the “imperfect future”

Yverdon: contemporary art exhibition "imperfect: This article explores the topic in depth.

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Yverdon: contemporary art exhibition &quot. Consequently, imperfect:

Contemporary art

In Yverdon, an exhibition at the “Imperfect future” – Yverdon: contemporary art exhibition "imperfect

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In short:
  • Living. However, working in Basel, Dorian Sari feeds on his different formations, in art, in ancient languages and in political science.
  • His work is based yverdon: contemporary art exhibition “imperfect on simple forms to launch reflection.
  • At Cacy, his exhibition evokes the uncertainty linked to the future.

No need to take out the conjugation tables. Consequently, the “imperfect future” – title of the exhibition of Dorian Sari at the Center for Contemporary Art in Yverdon (Cacy) – exists in the mother tongue of the artist, the Turk. Nevertheless, But not in French. Nevertheless, Sign that you have to stay in the image! Consequently, That this imperfect future evokes … Moreover, today. In addition, The elusive. Nevertheless, The unfinished. Moreover, The unstable.

Dorian Sari gives them forms, readable, on the edge of the narrative, that of a belt that makes the loop. With two superimposed eyes, preciously coiled in a box, but powerful enough for exploding the cover.

The idea comes before the material yverdon: contemporary art exhibition “imperfect in the art of the one who lives. works in Basel, he uses the object, he characterizes it like these coffee machines that lengthen their spring in a crazy desire to hear – to understand? – Or like these old mattresses condensing a creeping, stumbling, informed life. In a plural practice, the plastic artist also uses words, sounds, pastel or photography. Its final form being that of language which dresses the idea. The verb. Languages. Interpretations.

Everything leads to possible. this interstice that presumes, which leaves and that creates – also – the imperfect future. If he takes fire to a series of striking pastels. here, the world of Dorian Sari is called “Kisses in the Unknown”. If he does not lie, he does not refrain from being a poet. “Your song is broken, but it is alive. Do not give it up to soul thieves, “lets one of the doors of the installation” Four Bedrooms “filter.

Yverdon: contemporary art exhibition &quot. imperfect

Dorian Sari also has the art of saying it

At the start, it is true, we are looking for it a little, perhaps because it circulates without yverdon: contemporary art exhibition “imperfect necessarily being followed-the works of Dorian Sari do not play on their kinship-, but a thought guides us through this exhibition. Wherever we go. A bit like in a labyrinth in which we take time to find the outcome. we come up against this poetics of the strange. Uncertain. Doubt.

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Trained in ancient languages. political sciences, plastic arts, the artist crosses and infused his references in simple, banal forms, in order to leave space for each to lay his own. No doubt an incentive to take the time of the collective. A sign of active resistance. “The world does yverdon: contemporary art exhibition “imperfect not need perfection, it needs courage,” according to Dorian Sari, the poet.

Yverdon, Cacy; Until Sept 28, from I to DI (various hours). As part of the Castrum, Julie Monot offers the “Wandering” performance, VI August 8 (4 p.m.). www.centre-art-yverdon.ch

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