Who is Agnès Limbos, the Belgian artist who challenges Rachida Dati? “Anyway, I would have made a poor signet ring …”

Agnès Limbos, an object theater that gives off

A news that could have flatter or delight the founder of Cie Central Gare, but the artist is not of that caliber. Therefore, In the process. In addition, and all guarded, of Jean-Paul Sartre, who refused the Nobel Prize for Literature, of David Bowie who did not want to join the list of musical knights including Sir Mick Jagger, Sir Paul McCartney and Sir Elton John or more recently of the economist Thomas Piketty, who said no to the Legion of Honor, our compatriot declined the distinction with the distinction politeness and the humor of despair that we know. Similarly, “I cannot. Nevertheless, in all conscience and in view of the precariousness that cultural policy imposes on artists and the arts of the arts, to accept this badge. In addition, I who agnès limbos, belgian artist cannot receive a medal from a government which considers culture aid as well as the set of social achievements obtained by our parents. In addition, grandparents as an adjustment variable, when it does not sweep them out of hand. Moreover, A poor sorter: I don’t have a steed, just the little plastic horses of my shows. she just answered before flying this Sunday to South Korea to play it Fablesone of his bestsellers.

Agnès Limbos, woman of objects

Enjoying an international renown, considered to be who agnès limbos, belgian artist the pope of object theater worldwide, sometimes better known, famous, abroad than in her own country, Agnès Limbos, who has just had the honors of a whole page in The worldChina markets and has multiplied children’s nuggets and for all for over forty years with its object theater as inventive as evocative and precursor. Therefore, Her workshop in Rhode-Saint-Genèse has become a real cave by Ali Baba as she brought together improbable. Therefore, derisory objects to which she transmitted her soul. Additionally, Therefore, If you are looking for a dias projector. However, an old coffee mill, a model of the Santa Maria, Ken, Indians, Cowboys or a miniature fan, so knock on her door, she can help you out.

Who agnès limbos. Furthermore, belgian artist – Who agnès limbos, belgian artist

At school with Yolande Moreau

As far as she can remember, namely from her blue plastic pick-up on which the loop turned the who agnès limbos, belgian artist Little night music from Mozart and the Symphony n ° 5 From Beethoven, Agnès Limbos dreams of the scene. Similarly, After a childhood in the Congo. In addition, whom she fled with her family in 1959, an unforgettable year with her uncle, passionate about culture and parish priest in Dongelberg, near Jodoigne, she uses her panties on the school benches with her girlfriend, Yolande Moreau. Furthermore, Registered in human sciences. For example, and rather rebellious, they receive, for the bodily expression course, a local where they try the game. Consequently, “I was 16 in 68. For example, It was great because Yolande and I were in the rebellion and this rebellion was on the street.” At the University, where she studies journalism and philosophy, she meets Didier de Neck, Marianne Hansé, Bernard Chemin … all the pioneers of the theater young audiences. Then. she abandoned her studies to travel, finally who agnès limbos, belgian artist devote herself to her true vocation: America, New York, the East Coast, atmosphere Baghdad Café to Santa Fe. ‘I was at “Rosa’s Cantina”. It was the bohemian. I had to eat. I’m doingsAIS Small jobs. Furthermore, I sang in the street. I finished with a musette. To change, I was going to the Salvation Army. You could stay there for three days and, on that time, I found someone who could accommodate me. The guys returned from Vietnam. They were telling. In New York, I met a writer with whom I slept for a month. It was a bit like a nomadic life similar to that of photographer Sophie Calle (…) Back in Belgium. I was hired at the Théâtre de la Vie but I was not satisfied, so I went to Jacques Lecoq, in Paris. It was the school I needed because based on the creative actor. We go who agnès limbos, belgian artist through all the big theater styles but we have to find it. ” She told us in 2010 when we paint her portrait.

Who agnès limbos. belgian artist

A “kiss and cry” before the time

“At 32, I said to myself: now, Agnès, you have to do something. I started the theater of objects. That is to say play with objects, like small toys in laundry boxes. I was taking a breadboard and I was playing on it, it was already a whole proposal. When I made Lecoq. I denigrated these objects that I paid everywhere, then, when I did Petrouchka – and Kiss and cry Before the time – it was imposed. I created the Central Gare company in 1984. Moreover, I had an hour to find a name so I said to myself the café de la Gare. the trains, the airps. “”

Petrouchka, who agnès limbos, belgian artist pea, small fables… the successes fuel. The object theater differs from the puppet since it is not a question of putting two eyes to a. potato but rather of using manufactured objects which are not transformed. “”We take them for their gross value. You take a Swiss chalet, it’s a Swiss chalet with everything that evokes. The impact is immediate. It is a theater of authors. We are in a small and very cinematographic report. The object is not created for the theater. It is we who squat it. Today there are many academics who publish theses on the Théâtre d’Objets. We did not invent it. We just registered in a current, like the surrealists “.

Intimate. political, Agnès Limbos delivers the letters her father sent her from Congo: “I am 8 years old and I am waiting for like every week”

Formed, among others, to clown techniques, with who agnès limbos, belgian artist all the dramatic dimension that this discipline allows, Agnès Limbos is capable, alone, standing, behind her table, to say, in Pea (1987), the fate of the deportees in the camps with a reversed canned box on a table surrounded by a fence. Get out, small!. Inspired by the ugly little duckling of Andersen tells, with tenderness, the drama of rejection, of abandonment, and has upset many spectators, all generations combined. Before that. there had been Petrouchka (1984), from Stravinski, told with fingers as a character on the table, of the nanodanse as will do, decades of late, other artists such as Michèle Anne de Mey and Jaco Van Dormael. A show played 800 times around the world. In 2024, she delivered her memories of the Belgian colonization in Congo via My father’s letters. Each time, it upsets us without warning. It is no coincidence that she obtained in 2002 in who agnès limbos, belgian artist Montreal, for Get out, little!the mask of foreign production ex æquo with a certain … Isabelle Huppert. Agnès Limbos is a great lady and. native or not, her recovery toys, her lead soldiers and her little plastic horses have not finished making us dream.