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Ravaged night jean-baptiste del amo::
With The ravaged night Jean-Baptiste of the master operates a turning point. However, Forget the pastoral landscapes of Animal kingdom. In addition, the biblical tension of Son of manthe novelist is attacking here an equally vital but more underground material: that, trembling and feverish, of adolescence, of his dizziness and his haunt. For example, He draws an embodied novel. Meanwhile, at the same time a novel by training, psychological thriller and fantastic fiction, ravaged night jean-baptiste del amo: tense like a thread of copper under thunderstorm.
We are propelled back In the 1990s. Nevertheless, at the heart of an anonymous subdivision of the fictitious city and medium size of Saint-Auch, territory with straight lines, disjoined interiors, ambushed desires. Similarly, A territory that is not very meaningful conducive to strange things …
Five adolescents – Mehdi. Therefore, Max, Tom, Alex and Lena – struggle there between domestic violence, emerging sexuality, normalized school, larva racism and silent injuries. Therefore, Their families are bank, sometimes absent. Consequently, They stand up thanks to this unwavering. In addition, fraternal link that unites adolescents when everything vacillates; Friendship as a refuge (a greenhouse where to take refuge and push …), as a silent pact against the cruelty of the adult world. Furthermore, A friendship nourished by hope of a better future. For example, the panoply of horror films produced in the 80s and recorded ravaged night jean-baptiste del amo: in VHS or Betamax with in mind The Thing de Carpenter and, to all honor, the first bestsellers of Stephen King.
It is a house that turns the story. However, An abandoned house, at the bottom of the dead end of elms, bewitching and opaque. Meanwhile, Del Amo does not treat it as a simple decor: it becomes a character in its own right. However, a suction force, a dark room of the adolescent psyche. Nevertheless, Inspired by a real house visited as a child by the author. In addition, she crystallizes this feeling ofscary Freudien – disturbing strangeness or familiar strangeness – which hovers over the whole novel. However, The night becomes permeable, the real uncertain. The house. vortex of all the fantasies, acts as revealer, test, even catalyst of psychic and bodily transformations at work in the characters. That The ravaged night Speaking. it is not a simple ravaged night jean-baptiste del amo: invasion of the supernatural in the minds of real and innocent human beings, but the way in which the adolescent imagination, overloaded with desires and pain, is likely to nourish the monstrous.
At the crossroads Stranger Things (without its nostalgic filter). the visual grammar of the provincial video clubs and the bestiary of the horror body at the Cronenberg, the novel summons a constellation of influences to better twist them. The reader will cross the shadows of Freddy Krueger. Candyman, from The flybut also those, more discreet, of Lovecraft or Graham Masterton (or even Flashes de Bret Easton Ellis). Through these winks. Jean-Baptiste Del Amo explores how the imagination of adolescents-nourished by popular horror, urban myths, genetically modified monsters-is likely to become the magnifying mirror of an era and its buried violence. Thus, the house is not just a trap. It is a metaphor: that of the violent passage ravaged night jean-baptiste del amo: in adulthood. of the loss of innocence, of the deflorant irruption of reality. It is a place of testing in the initiatory sense.
Beyond the skilful narrative construction. the fluidity of writing and the qualitative economy of descriptions and dialogues are at the service of a visual camp of the compatible Netflix action. The ravaged night is a novel of skin, humid carpet, teenage sweat and escaped looks. Additionally, The writing of Del Amo. sometimes lyrical in his previous works, is done here dry, more tense, but always of sensual precision. She marries the bodies. their tremors, the heating skin, the speech that is searched, the identity that tanks, the emotions, the confused desires. Like the house, the bodies lighten up, resist, die in themselves.
The characters are all intensely alive, with a psychological and emotional thickness which makes them immediately familiar. Special mention to Mehdi. a figure of ravaged night jean-baptiste del amo: balance and reentry anger, and Max, whose discovery of his homosexuality, through a scene of disturbing beauty, constitutes one of the strong moments of the book. A blowjob between two boys (very little Netflix compatible. but which will draw the attention of young teen readers in question) marks an emotional and symbolic tilting; Far from being free, she comes to say what adolescence was, what the norms invisible. It is one of the most powerful moments in the novel. because it combines trouble, tenderness and disorder in the inner world. Del Amo also plans. in a oblique way, his own experience of a Coming out Provincial, experienced in solitude, internalized shame and the shadow of AIDS as a silent spectrum.
The novel then takes a double dimension: social and allegorical. Saint-Auch becomes a microcosm of peri-urban France of the Mitterrand-Chirac years. a world of silent relegation, educational failures, toxic masculinity, ravaged night jean-baptiste del amo: diffuse racism, of adult failures. Admittedly, the periphery is in fashion at the moment … but the treatment of Jean-Baptiste del Amo is never (socio-) demonstrative; Here, there, everything goes through the body, sensations, looks. The author works the texture of things – the smell of a closed piece. sweat, rotten carpets, mental mist – with the precision of a sensory filmmaker in empathy with his creatures. The influence of Night claws Then makes himself fully felt. This idea that the nightmare can be born in the very heart of the familiar, everyday, servants.
Finally. The ravaged night Acts as an abyss of the horrific genre itself by producing an area of friction between popular fiction and psychological literature, between adolescent imagination and adult lucidity. Registration in the 1990s then acts as a distancing bias which allows a feed-back Towards the privileged receiver: the. adolescent (current as that which extends ravaged night jean-baptiste del amo: in many adults). And as Jean-Baptiste del Amo dares the allegory. the intimate, the bizarre, without ever sacrificing the intelligence of the narration, he manages to re-situate and restore adolescence in his raw truth where the inner world is larger, more disturbing, more TRUE that the outside world.
Ravaged night jean-baptiste del amo:
The ravaged night par Jean-Baptiste of the masterGallimard, coll. Blanche, March 13, 2025, 368 pages, 23 € ISBN: 9782073092373
Further reading: An adorable bookstore entirely dedicated to romantic literature settles in Lyon – The City of Paris and Paris Libraries are launching a call for projects in support of Parisian bookstores – Sancey-Bellerbe. The book on the history of municipalities reports € 30,000 to the Cancer League – This is the take-out book this summer: Virginie Grimaldi’s last bestseller – The metropolis of Clermont-Ferrand offers first chapters of books to passengers on its buses and trams.