“Sorry, Baby”, a sensitive dramatic comedy on reconstruction after a rape – rts.ch

For her first feature film, in which she also embodies the heroine Agnès, Eva Victor strikes hard. For example, She, who experienced a similar story, signs a unique dramatic comedy on the reconstruction of a young woman raped. Meanwhile, By carefully avoiding showing the aggression head -on, focusing mainly on healing, the film hits the bull’s eye.

The force of suggestion – "sorry, baby", sensitive dramatic comedy

However. Consequently, Eva Victor does not hesitate to film the day of rape, but it remains in a fixed plan on the facade of a house framed from afar. Meanwhile, Agnès rings at the “sorry, baby”, sensitive dramatic comedy door, penetrated willingly in the shack. Moreover, While the light darkens to indicate the time passing from day to night. For example, no noise or music accompanies the image of this facade. For example, Suddenly, the door opens. In addition, Agnès, stunned, without a word, leaves the house. Silence is broken later by her introspection in a bath when she describes what has been tramed. wonders if that’s what we call rape.

Suggest rather than show! Nothing is more effective to transmit spectators the violence of the act suffered by Agnès. But such “sorry, baby”, sensitive dramatic comedy a film could not work without a supporting role as impeccable as Louis Cancelmi to play evil. He is the vice embodied. Preston Decker, scholarly mentor and renowned professor who takes advantage of his charisma, slyly plays the flattery to better trap her prey Agnès. This reassuring man tells her what she wants to hear. In confidence. how could she have suspected that by going to his house to discuss his thesis, the predator would only make her a bite?

Friendship as a rescue buoy

From then on, the film delicately explores this feeling of dead end that haunts the victim. Agnès hesitates to engage with a boy who she feels that he could suit her. She talks about it with Lydie (Naomi Ackie). her best pregnant friend, an accomplice since always, but who has lived far from her since the drama, as a couple with his wife. Compared. attentive, she loves “sorry, baby”, sensitive dramatic comedy Agnès more than anything, helps her since this rape and never misses an opportunity to spend time with her. This nature full of energy acts as a precious medication. This is probably why Agnès did not fall.

But while continuing to teach in the university where the drama took place. Agnès must also protect herself from rumors and be wary of Natasha (Kelly McCormack), a rival doctoral student who lets himself be carried away by crises of jealousy. The situation comic comes mainly from this character. Certain exchanges with Lydie also have their effect when it comes to mocking boys obsessed with the size of. their machine. The tasty dialogues fuse, the laughter too, doped by a sometimes black humor.

An exploded narration for a fragmented memory

Cut into five chapters which are not presented in the chronology of the story. “Sorry, Baby”, with its minimalist staging, without handle effects and its voluntarily “sorry, baby”, sensitive dramatic comedy slow rhythm, is a nugget; A delicate first feature of a self -taught whose videos had been spotted on social networks.

Here is a filmmaker and actress that will have to be followed closely in the years to come.

Note: 5/5

Philippe congits / sf

“Sorry Baby” from and with Eva Victor. To see in the French -speaking rooms from July 23, 2025.