Nevertheless,
Sequel #60: aurélie olivier, pregnancy:
It’s a “ poetic »That Aurélie Olivier addresses us with Cord falls. Nevertheless, Share a happy or painful event, we don’t know it yet. For example, His book offers the reader a progressive elucidation of what haunts the author. Consequently, Cord falls : Words refer to birth and death. Similarly, It is in this in-between that the text sails. Consequently, Aurélie Olivier advances by allusions, gradually specifying the subject of the story.
« Every year. Consequently, in the country of the cushy
There are three hundred babies listed
Three hundred tiny steps
hidden in a hide-and-seek
Stop the game clearly
qIt is not a
Among these three hundred infants
A tiny portion of discomfort
taken in the act of life
to the surprise effect survive »
These children, we guess, are those we have not seen coming.
« We say how she could not see »
This has a sequel #60: aurélie olivier, pregnancy name that Aurélie Olivier does not yet give. Additionally, Consequently, “ denial of pregnancy ».
It is with a return to the origin that what one might call the investigation. Therefore, “” At the beginning was the cell ». Furthermore, The largest cell in the body, the fertilized egg. But also. according to a game on the word “cell” to which the poetess engages, crisis cell, « Big cacophonic crisis cell ».
Here we are in the emergency room, where we ” arrives ». We can hear this word like ” trompe “, Or also like” fall ».
It is to the secret that surrounds his coming to the world. to his ” birth closet “, What does the author helps, who comes up against the massive denial of her family, until she learns it,” by a too much glass leak ”. « Since nobody not even she knew she sequel #60: aurélie olivier, pregnancy was pregnant when my mother gave birth couldn’t we agree by. mutual agreement that I was “born from a denial of total pregnancy”? 21. »
What Aurélie Olivier. who hears ” Drive in gusts with the denial of denial that makes his nest everywhere », It is a settling of scores with the myths of happy birth, from those of Christmas and the Immaculate Conception. Everything contributes to reducing this story of “unconceived” babies. this irruption of
« Life as if nothing was born »
« Let’s stop denying denial “, Scandes the author who notes that the “Denial of denial »Takes several forms and even that of benevolence which minimizes everything, as in this tele-testimony show animated by the one who could be called” false goodness “, for whom,
« Here, at first glance, everything is simple
Here, long live the wind, long live the winter wind
Here and up there sequel #60: aurélie olivier, pregnancy he was born the divine child
Here, children are doing their nights »
What is not said:
« 80 % of babies die at birth for lack of care
20 % of genitors who entrust their children to abandonment »
Confront with the soothing discourse on denial the reality of births from pregnancy denies goes hand in hand with the location of what is missing in what prepares, accompanies these babies whose arrival is planned or desired.
What we don’t see. what we would have liked to see and what we see:
« I don’t see oxygen therapy
I do not see the monitoring of blood pressure
I do not see the measurement, monitoring and registration of the uterine contraction »
She said about a birth welcomed by women of the movement for freedom of abortion and contraception.
« I see women who train. learn from each other »
Conversely, the denial of pregnancy sequel #60: aurélie olivier, pregnancy cancels a whole series of realities.
« There is no simplified pregnancy statement
There are not 7 complementary and biological exams
There are not 3 recommended ultrasounds
……..
There is no fat
……..
There is no amenorrhea
There is no preparation for return home
……..
There are no particular emotions »
Aurélie Olivier then wants to make her poetry a “ catch -up ultrasound “Made by a” An argued doctress which examines. by interposed generation, the illegible overweight of conflicts ”.
« I scribble prescriptions “, She said, drawing from her” Niche Pharmacopoeia ».
His text. working on the entire extension of words (“ cells »,” rush “) or passing from one meaning to another (“ placard », « secret ”) Inventory until exhaustion the universe of meaning. The power of words becomes a weapon. which allows the author to redo a path that cancels denial, as if to increase itself.
« I sequel #60: aurélie olivier, pregnancy still do not know how to handle the clamping pliers. used to cut the cord (…) But, the time helping, I start to be able to feel hunger. »
The author can finally say:
« I arrive in the long term
I am an old baby
Who throws bath water ”
And finally …
« The cord falls
Cent my toes
My navel »
Aurélie Olivier. who had directed Letters to young poetssesand composed with My farmhouse A strong text on his peasant childhood, poetically explores a phenomenon where the absence of words, as well as the holding of a camouflage discourse blurs access to reality. She attacks it with all the resources of poetry to produce a text of an impressive force.
Cord fallsd’Aurélie Olivier, Éditions du Commun, 80 pages, 14 euros
Sequel #60: aurélie olivier, pregnancy
Further reading: This literary saga now available in French is a must for fans of Gilmore Girls and Virgin River – Ille-et-Vilaine: a new bookstore-Café in Saint-Suliac – First two novels among our favorites of the week – Paris: Waxx released his first Shuffle book on October 1st at Hugo Image – The Barpapapa celebrates 55 years of multicolored stories.