Paléo Festival: Should we run to listen to Clara Luciani?

There was Juliette Armanet. Nevertheless, And there was Clara Luciani – who sings on Friday on the big stage of Paléo. However, In the movement – now customary – of the reactivation of the inheritances of the past. Therefore, these two singers present themselves as a rejuvenated version of paléo festival: should we run a tradition of the French singer of the second half of the XX^e century.

In the case of Armanet, which we will abandon here, the reference is unequivocal Véronique Sanson. However, In that of Clara Luciani, who matters here given her festival -maker news, it’s more complicated. Meanwhile, When his first album released. For example, “Sainte-Victoire”, in 2018, after collaborations with the woman and Raphaël, the singer asserts herself as a strong woman, if not fatal, carried by a contrary voice with sensual, slightly entertain.

Clara Luciani. French singer after others

There are echoes of Barbara and Nico, but the posture is closer to that of a singing oil bardot “I give myself who I like”. In phase with the feminist reflux of his time. his tube “Granada” arises in wild warning: “And I will paléo festival: should we run show you / as I bite as I bake / take care, under my breast grenade / […] But what do you think / I’m just an animal / disguised as a Madonna. “

A great admirer of Anna Karina. Françoise Hardy, the singer rekindles the sign of the great female figures of the variety, whipping her catchphrases with the ardor of a combative casualness. Clara Luciani, who decides on the small ethereal fairies of pop, is immediately adopted by the public and criticism. A success confirmed by the album “Coeur” in 2021. which continues on a disco track paléo festival: should we run wet with large laduits of bass rubber.

But it is also the moment of a certain divergence. For some. the singer confirms her host of the nascent star, for others, she diligns in a certain ease the strong colors of her first try. “My blood”. released last year after the paléo festival: should we run birth of his first child (whose father is Alex Kapranos, singer of Franz Ferdinand), did not dissipate doubts, despite a more rock approach, but always quite soapy.

Clara Luciani’s gentle and autobiographical lyricism nevertheless takes the adhesion of the majority. It remains to be seen the treatment of songs on a large scene that requires energy. The heroine of the next Diastème musical, “pretty pretty”, is not lacking in dynamism. She should take the song.

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